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<loc>https://www.kontur-art.com/hu/a-mertekletesseg-elviselhetetlen-konnyusege/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/3oznnP6SkSc/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[After the Fall: The Conservation of Tullio Lombardo's "Adam"]]></video:title>
<video:description><![CDATA[Conservators, scientists, and curators tell the story behind the unprecedented conservation of Tullio Lombardo&#039;s &quot;Adam.&quot;

Watch the video:
https://www.metmuseum.org/perspectives/videos/2014/11/after-the-fall]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=3oznnP6SkSc]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=3oznnP6SkSc]]></video:player_loc>
<video:duration>474</video:duration>
<video:view_count><![CDATA[330399]]></video:view_count>
<video:publication_date><![CDATA[2014-11-12T18:24:54Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/en/anna-zilahi-urtica/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/gPD08vDwC58/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[ZILAHI ANNA: Urtica (2022)]]></video:title>
<video:description><![CDATA[ZILAHI ANNA: Urtica (2022)]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=gPD08vDwC58]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=gPD08vDwC58]]></video:player_loc>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/a-lamborghini-metafizikaja/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/D-NvQ6VJYtE/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Jamiroquai - Cosmic Girl (Official Video)]]></video:title>
<video:description><![CDATA[Jamiroquai - Cosmic Girl (Official Video)
Stream and Download Jamiroquai here: https://Jamiroquai.lnk.to/Yt_Subscribe
Subscribe to Jamiroquai&#039;s YouTube Channel: https://Jamiroquai.lnk.to/Yt_Subscribe/youtube 

WATCH SPACE COWBOY MUSIC VIDEO ► https://Jamiroquai.bio.to/MusicVideo/youtube
WATCH VIRTUAL INSANITY MUSIC VIDEO ►  https://Jamiroquai.bio.to/MusicVideo/youtube2
WATCH YOU GIVE ME SOMETHING MUSIC VIDEO ►  https://Jamiroquai.bio.to/MusicVideo/youtube5
WATCH LITTLE L MUSIC VIDEO ►  https://Jamiroquai.bio.to/MusicVideo/youtube4

Follow Jamiroquai here:
Instagram - https://www.instagram.com/jamiroquaihq
TikTok - https://www.tiktok.com/@jamiroquai_hq
Facebook - https://www.facebook.com/Jamiroquai
Twitter - https://twitter.com/JamiroquaiHQ
Official website - https://www.jamiroquai.com 

#Jamiroquai #CosmicGirl #JamiroquaiCosmicGirl #JamiroquaiOfficial #CosmicGirlLyrics #JamiroquaiEssentials #JamiroquaiGreatestHits #JamiroquaiLyrics #BestOfJamiroquai #JamiroquaiDynamite #JamiroquaiHQ #JamiroquaiOfficialVideo #remastered #JamiroquaiOfficialHDVideo #CosmicGirlOfficialVideo

Lyrics:

I must&#039;ve died and gone to heaven
Cos it was a quarter past eleven
On a Saturday in 1999
Right across from where I&#039;m standing
On the dance floor she was landing
It was clear that she was from another time
Like some baby Barbarella
With the stars as her umbrella
She asked me if I&#039;d like to magnetise
Do I have to go star-trekking
Cos it&#039;s you I should be checking
So she lazer beamed me with her cosmic eyes

She&#039;s just a cosmic girl
From another galaxy
My heart&#039;s at zero gravity
She&#039;s from a cosmic world
Putting me in ecstasy
Transmitting on my frequency
She&#039;s cosmic]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=D-NvQ6VJYtE]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=D-NvQ6VJYtE]]></video:player_loc>
<video:duration>241</video:duration>
<video:view_count><![CDATA[102603565]]></video:view_count>
<video:publication_date><![CDATA[2012-11-19T03:40:59Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/uZj6CDig98M/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[FERAT VAMPIRE (1982) TRAILER]]></video:title>
<video:description><![CDATA[From Juraj Herz &ndash; the award-winning writer/director of MORGIANA, THE NINTH HEART, THE CREMATOR and subversive genius of the Czech New Wave &ndash; comes the disturbing shocker driven by cultural provocation, political paranoia and a supercharged take on the vampire mythos, now on disc for the first time ever in America: When Ferat Motors introduces a new high-performance sports car, a trauma doctor investigates a bizarre theory that the vehicle is a biological machine fueled by human blood. Jir&iacute; Menzel (director of the Oscar&reg;-winning CLOSELY WATCHED TRAINS), Dagmar Havlov&aacute; (former First Lady of the Czech Republic) and the iconic &Scaron;koda 110 Super Sport star in this &ldquo;deeply weird horror thriller with sci-fi overtones and a touch of Cronenberg&rdquo; (House of Self Indulgence), restored by N&aacute;rodn&iacute; Filmov&yacute; Archiv and Severin Films with over 5 hours of new &amp; archival Special Features curated exclusively for this release.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=uZj6CDig98M]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=uZj6CDig98M]]></video:player_loc>
<video:duration>62</video:duration>
<video:view_count><![CDATA[5817]]></video:view_count>
<video:publication_date><![CDATA[2025-07-15T18:53:33Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/sk/vpisane-v-obraze/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/MVgvygVkScs/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Omara, 2010.03.18. / 01]]></video:title>
<video:description><![CDATA[Omara ki&aacute;ll&iacute;t&aacute;s&aacute;nak 
megnyit&oacute;ja /  Omara t&aacute;rlatvezet&eacute;se
besz&eacute;lgetőt&aacute;rs: F&ouml;ldes Andr&aacute;s / index
2010. m&aacute;rcius. 18-&aacute;n, 18 &oacute;r&aacute;t&oacute;l 
a ki&aacute;ll&iacute;t&aacute;s megtekinthető 
&aacute;prilis 15-ig a Liget Gal&eacute;ri&aacute;ban
http://www.ligetgaleria.c3.hu/376.html]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=MVgvygVkScs]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=MVgvygVkScs]]></video:player_loc>
<video:duration>600</video:duration>
<video:view_count><![CDATA[4751]]></video:view_count>
<video:publication_date><![CDATA[2010-03-20T22:58:30Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/en/courtisane-2026-a-subjective-review-of-the-festival/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/16V6VzmPc3g/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Portrait of a Lazy Woman (Chantal Akerman, 1986)]]></video:title>
<video:description><![CDATA[A diretora belga Chantal Akerman luta para superar sua pregui&ccedil;a em nome da realiza&ccedil;&atilde;o de um filme sobre o tema.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=16V6VzmPc3g]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=16V6VzmPc3g]]></video:player_loc>
<video:duration>485</video:duration>
<video:view_count><![CDATA[1993]]></video:view_count>
<video:publication_date><![CDATA[2025-11-09T21:59:09Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/_BKuXESDJS0/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Chris Marker: Chat Ecoutant La Musique (Cat Listening to Music) (1988)]]></video:title>
<video:description><![CDATA[Duration: 2:47 min. 

Copyright: &copy; 2021 Chris Marker. Courtesy Electronic Arts Intermix (EAI), New York]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=_BKuXESDJS0]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=_BKuXESDJS0]]></video:player_loc>
<video:duration>173</video:duration>
<video:view_count><![CDATA[34326]]></video:view_count>
<video:publication_date><![CDATA[2021-09-28T05:53:45Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/veraztatta-oldalak/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/wcg-rS6kiuE/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[GYENES GÁBOR: VIZA]]></video:title>
<video:description><![CDATA[G&Aacute;BOR GYENES: THE STURGEOUN
The comic is the paraphrase and parody of the movie classic Jaws. The sea predator is replaces by the mysterious sturgeoun which used to live in the Danube and is currently under risk of extinction. This huge sea fish would go to freshwater for spawning, and there were times when it went up until Bratislava. As it is impossible for it to climb up the waterworks, it stays in the lower parts of the Danube. The comic ironically questions the possibility of a five-meters long giant fish returning to our waters, and in the mean time attempts to reflect on the deteriorative nature of pop cultural works presenting a fish as evil, brutal and avenging.

GYENES G&Aacute;BOR: VIZA
A k&eacute;preg&eacute;ny a C&aacute;pa c&iacute;mű filmklasszikus parafr&aacute;zisa, par&oacute;di&aacute;ja. A tengeri ragadoz&oacute;t a titokzatos, valaha Dun&aacute;ban is honos viza helyettes&iacute;ti, amelyet jelenleg a kihal&aacute;s fenyeget. Ez a nagym&eacute;retű tengeri hal &iacute;vni j&aacute;rna az &eacute;desv&iacute;zbe, a Dun&aacute;ban valaha ak&aacute;r Pozsonyig is fel&uacute;szott. Mivel a v&iacute;zl&eacute;pcsőket k&eacute;ptelen lek&uuml;zdeni, megreked a Duna als&oacute;bb szakaszaiban. A k&eacute;preg&eacute;ny ironikus m&oacute;don k&ouml;zel&iacute;ti meg annak lehetős&eacute;g&eacute;t, hogy egy &ouml;tm&eacute;teres hal&oacute;ri&aacute;s visszat&eacute;rjen vizeinkbe, tov&aacute;bb&aacute; arra is igyekszik reflekt&aacute;lni, hogy mennyire k&aacute;rosak tudnak lenni az olyan popkult&uacute;r&aacute;lis alkot&aacute;sok, amelyek gonosznak, v&eacute;rengzőnek, ak&aacute;r bossz&uacute;&aacute;ll&oacute;nak &aacute;ll&iacute;tanak be egy halat.

G&Aacute;BOR GYENES: VIZA
Komiks je parafr&aacute;zou, par&oacute;diou filmovej klasiky Čeľuste. Morsk&eacute;ho dravca vystrieda tajomn&aacute; viza, kedysi p&ocirc;vodom z Dunaja, ktorej v s&uacute;časnosti hroz&iacute; vyhynutie. T&aacute;to monument&aacute;lna morsk&aacute; ryba neresila v sladk&yacute;ch vod&aacute;ch a v Dunaji vypl&aacute;vala až do Bratislavy. Keďže nedok&aacute;že prekonať vodn&eacute; diela, uviazne na dolnom toku Dunaja. Komiks ironick&yacute;m sp&ocirc;sobom reaguje na možnosť n&aacute;vratu t&yacute;chto p&auml;ťmetrov&yacute;ch obrov do na&scaron;ich v&ocirc;d, z&aacute;roveň reflektuje aj na negat&iacute;vne d&ocirc;sledky tak&yacute;ch popkult&uacute;rnych diel, ktor&eacute; prezentuj&uacute; živoč&iacute;chy ako z&aacute;kern&eacute;,]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=wcg-rS6kiuE]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=wcg-rS6kiuE]]></video:player_loc>
<video:duration>38</video:duration>
<video:view_count><![CDATA[30]]></video:view_count>
<video:publication_date><![CDATA[2025-03-06T20:31:36Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/6YlQDrVTrG8/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Gyenes Gábor: 113 LÖVÉS - A dunaszerdahelyi maffia felemelkedése – KÖNYVTRAILER]]></video:title>
<video:description><![CDATA[Gyenes G&aacute;bor: 113 L&Ouml;V&Eacute;S &ndash; A dunaszerdahelyi maffia felemelked&eacute;se (K&Eacute;PREG&Eacute;NY)
2025. okt&oacute;ber 10-től a k&ouml;nyvesboltokban!

Megrendelhető itt:
https://cserkiado.hu/ismeretterjeszto/113-loeves-a-dunaszerdahelyi-maffia-felemelkedese-18154.html

Gyenes G&aacute;bor 113 L&Ouml;V&Eacute;S c&iacute;mű k&eacute;preg&eacute;nye Barak D&aacute;vid El&aacute;sott igazs&aacute;g c&iacute;mű dokumentumreg&eacute;nye alapj&aacute;n sz&uuml;letett. A 113 L&Ouml;V&Eacute;S  egy k&uuml;l&ouml;nleges mű, amely nem szuperhős&ouml;ket jelen&iacute;t meg, hanem egy v&eacute;r&aacute;ztatta korszakra tekint vissza, &eacute;s letagl&oacute;z&oacute; m&oacute;don mes&eacute;li el a dunaszerdahelyi maffia sz&uuml;let&eacute;s&eacute;nek t&ouml;rt&eacute;net&eacute;t.

Barak D&aacute;vid: &quot;Amikor bek&ouml;sz&ouml;nt&ouml;tt a szabads&aacute;g, &ouml;v&eacute;k lett a v&aacute;ros, a hatalom, dőlt hozz&aacute;juk a p&eacute;nz, &eacute;s b&aacute;rmit megtehettek b&aacute;rkivel. &bdquo;Dunaszerdahelyi maffia&ldquo; &ndash; &iacute;gy h&iacute;vt&aacute;k őket, pedig csak k&ouml;z&ouml;ns&eacute;ges gyilkosok voltak, akik nemcsak egym&aacute;st irtott&aacute;k, hanem v&eacute;tlen k&iacute;v&uuml;l&aacute;ll&oacute;k t&ouml;meg&eacute;t is s&iacute;rba tasz&iacute;tott&aacute;k. Abban az aljass&aacute;gban, amely a 90-es &eacute;vekben a felvid&eacute;ki Dunaszerdahelyen t&ouml;rt&eacute;nt, nagyon neh&eacute;z &eacute;rtelmet tal&aacute;lni. A t&ouml;rt&eacute;nethez Gyenes G&aacute;bor is az&eacute;rt ny&uacute;lt hozz&aacute;, hogy seg&iacute;tsen mindannyiunknak &ndash; &eacute;s saj&aacute;t mag&aacute;nak &ndash; meg&eacute;rteni, mi&eacute;rt v&aacute;ltozott pokoll&aacute; Dunaszerdahely a 20. sz&aacute;zad alkony&aacute;n. Amikor egy f&eacute;l kontinens r&aacute;zta le mag&aacute;r&oacute;l a diktat&uacute;ra rabl&aacute;nc&aacute;t, de az emberek m&eacute;gis ezen a kis szigeten &eacute;rtelmezt&eacute;k legink&aacute;bb f&eacute;lre a hirtelen nyakukba szakadt szabads&aacute;got.&quot;

Gyenes G&aacute;bor 1984-ben sz&uuml;letett Kass&aacute;n. Grafik&aacute;val, illusztr&aacute;ci&oacute;val &eacute;s helyspecifikus műv&eacute;szettel foglalkozik. Jelenleg a pozsonyi K&eacute;pzőműv&eacute;szeti Főiskola k&eacute;pgrafika tansz&eacute;k&eacute;n tan&iacute;t, emellett az IN SITU műv&eacute;szeti csoport egyik alap&iacute;t&oacute; szervezője. A 113 l&ouml;v&eacute;s az első k&eacute;preg&eacute;nye.

https://www.elasottigazsag.sk

Trailer: Csanda Tam&aacute;s
Zene &eacute;s sound design: &Uuml;r&ouml;gi Jani / Soun Records https://soun.bandcamp.com/]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=6YlQDrVTrG8]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=6YlQDrVTrG8]]></video:player_loc>
<video:duration>101</video:duration>
<video:view_count><![CDATA[6593]]></video:view_count>
<video:publication_date><![CDATA[2025-09-28T16:10:50Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/en/the-painting-is-in-charge/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/twmmjaiqTGI/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[David Lynch - Six Men Getting Sick (1967) Short Film]]></video:title>
<video:description><![CDATA[This video is part of the Prism Factory Digital Cinema, Music and Theater Archive, a project dedicated to preserving and sharing digitized works for research, education, and artistic inspiration.

Explore more on our channel.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=twmmjaiqTGI]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=twmmjaiqTGI]]></video:player_loc>
<video:duration>239</video:duration>
<video:view_count><![CDATA[3664]]></video:view_count>
<video:publication_date><![CDATA[2025-01-30T13:00:12Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/a-festmeny-diktal/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/twmmjaiqTGI/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[David Lynch - Six Men Getting Sick (1967) Short Film]]></video:title>
<video:description><![CDATA[This video is part of the Prism Factory Digital Cinema, Music and Theater Archive, a project dedicated to preserving and sharing digitized works for research, education, and artistic inspiration.

Explore more on our channel.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=twmmjaiqTGI]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=twmmjaiqTGI]]></video:player_loc>
<video:duration>239</video:duration>
<video:view_count><![CDATA[2781]]></video:view_count>
<video:publication_date><![CDATA[2025-01-30T13:00:12Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/4ur3l2GKWzk/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[David Lynch on Depression and Art - mental illness as the death of creativity]]></video:title>
<video:description><![CDATA[I compiled several clips from interviews of David Lynch talking about mental illness / mental health in artists and how it can effect creativity.

David Lynch meant a lot to me and now that he died I feel rather empty. His view on life and how he dealt with depression had quite the impact on me. Now that he passed away I hope I can keep implementing his wisdom in my life even long after his death. This video I made quite a while ago only scratches the surface of what he taught me. 

Sources:

&quot;Are you a genius, or a really sick person?&quot; from:
https://youtu.be/4ziGDFW1fnI (Blue Velvet Interview)

&quot;I am so depressed&quot; from:
https://youtu.be/SLry85Twhno (Behind the Scenes of Inland Empire)

&quot;I had a reason to go to therapy&quot; from:
https://youtu.be/05XF-jGGJAQ 

All other video clips came from the same YouTube video, that I am unable to track back down at the moment. Those clips in that come from various lectures and interviews. 

Music:
Laura Palmer&#039;s Theme
(from the Twin Peaks Soundtrack)
by Angelo Badalamenti
https://youtu.be/woUt7wPe8Ow


Version without music:
(and a subtitle fix)
https://youtu.be/KCN52DZUQPw]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=4ur3l2GKWzk]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=4ur3l2GKWzk]]></video:player_loc>
<video:duration>154</video:duration>
<video:view_count><![CDATA[822361]]></video:view_count>
<video:publication_date><![CDATA[2021-11-25T20:54:53Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/en/instead-of-a-top-list-inspirations-and-stories-from-2025/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/fTGM04Gn2I4/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[A némafilm klasszikusai - Nosferatu (1922)    magyar felirattal]]></video:title>
<video:description><![CDATA[Fridrich-Wilhelm Murnau klasszikusa a 2006-os fel&uacute;j&iacute;t&aacute;s ut&aacute;n, magyar felirattal.
N&eacute;zz&uuml;nk t&ouml;bb KLASSZIKUS n&eacute;mafilmet !!!
Ez egy &quot;horror&quot; gy&ouml;ngyszem...
A most l&aacute;that&oacute; feliratot &eacute;n &quot;oll&oacute;ztam&quot; &ouml;ssze t&ouml;bb feliratb&oacute;l, &eacute;s időz&iacute;tettem ehhez a v&aacute;ltozathoz. (k&ouml;sz&ouml;net az eredeti ford&iacute;t&oacute;knak)]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=fTGM04Gn2I4]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=fTGM04Gn2I4]]></video:player_loc>
<video:duration>5663</video:duration>
<video:view_count><![CDATA[29175]]></video:view_count>
<video:publication_date><![CDATA[2014-03-23T16:29:20Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/sk/namiesto-rebricka-inspiracie-a-pribehy-z-roku-2025/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/fTGM04Gn2I4/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[A némafilm klasszikusai - Nosferatu (1922)    magyar felirattal]]></video:title>
<video:description><![CDATA[Fridrich-Wilhelm Murnau klasszikusa a 2006-os fel&uacute;j&iacute;t&aacute;s ut&aacute;n, magyar felirattal.
N&eacute;zz&uuml;nk t&ouml;bb KLASSZIKUS n&eacute;mafilmet !!!
Ez egy &quot;horror&quot; gy&ouml;ngyszem...
A most l&aacute;that&oacute; feliratot &eacute;n &quot;oll&oacute;ztam&quot; &ouml;ssze t&ouml;bb feliratb&oacute;l, &eacute;s időz&iacute;tettem ehhez a v&aacute;ltozathoz. (k&ouml;sz&ouml;net az eredeti ford&iacute;t&oacute;knak)]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=fTGM04Gn2I4]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=fTGM04Gn2I4]]></video:player_loc>
<video:duration>5663</video:duration>
<video:view_count><![CDATA[29172]]></video:view_count>
<video:publication_date><![CDATA[2014-03-23T16:29:20Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/toplista-helyett-inspiraciok-es-tortenetek-2025-bol/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/fTGM04Gn2I4/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[A némafilm klasszikusai - Nosferatu (1922)    magyar felirattal]]></video:title>
<video:description><![CDATA[Fridrich-Wilhelm Murnau klasszikusa a 2006-os fel&uacute;j&iacute;t&aacute;s ut&aacute;n, magyar felirattal.
N&eacute;zz&uuml;nk t&ouml;bb KLASSZIKUS n&eacute;mafilmet !!!
Ez egy &quot;horror&quot; gy&ouml;ngyszem...
A most l&aacute;that&oacute; feliratot &eacute;n &quot;oll&oacute;ztam&quot; &ouml;ssze t&ouml;bb feliratb&oacute;l, &eacute;s időz&iacute;tettem ehhez a v&aacute;ltozathoz. (k&ouml;sz&ouml;net az eredeti ford&iacute;t&oacute;knak)]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=fTGM04Gn2I4]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=fTGM04Gn2I4]]></video:player_loc>
<video:duration>5663</video:duration>
<video:view_count><![CDATA[29171]]></video:view_count>
<video:publication_date><![CDATA[2014-03-23T16:29:20Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/ehes-targyak-puhasaga/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/JnCNoZmcK-4/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[ZSÓFIA ANTALKA - ESZTER METZING - ANDREA SZILÁK: Carnivores | Medium Gallery in Bratislava]]></video:title>
<video:description><![CDATA[//HU//
A Carnivores c&iacute;mű ki&aacute;ll&iacute;t&aacute;s a Medium Gal&eacute;ri&aacute;ban (2025. 09. 09. &ndash; 10. 12.) Antalka Zs&oacute;fia, Metzing Eszter &eacute;s Szil&aacute;k  Andrea k&ouml;z&ouml;s projektjek&eacute;nt a ragadoz&oacute; archet&iacute;pus&aacute;t, a belső &ouml;szt&ouml;n&ouml;ket &eacute;s azok t&aacute;rsadalmi-pszichol&oacute;giai lenyomatait vizsg&aacute;lja.

//SK//
V&yacute;stava Carnivores v Gal&eacute;rii Medium (9. 9. &ndash; 12. 10. 2025) predstavuje spoločn&yacute; projekt Zs&oacute;fie Antalky, Eszter Metzing a Andrey Szil&aacute;k, ktor&yacute; sk&uacute;ma archetyp pred&aacute;tora, vn&uacute;torn&eacute; in&scaron;tinkty a ich soci&aacute;lno-psychologick&eacute; odtlačky.

//EN//
The exhibition Carnivores at Medium Gallery (9 September &ndash; 12 October 2025) presents a collaborative project by Zs&oacute;fia Antalka, Eszter Metzing and Andrea Szil&aacute;k, exploring the archetype of the predator, inner instincts, and their social-psychological imprints.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=JnCNoZmcK-4]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=JnCNoZmcK-4]]></video:player_loc>
<video:duration>112</video:duration>
<video:view_count><![CDATA[8]]></video:view_count>
<video:publication_date><![CDATA[2025-11-18T20:13:02Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/altala-szerettuk-meg-periferiankat/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/YJRcOkJs9q4/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Csinálni kell valamit az életben, nem panaszkodni | Ki volt György Péter?]]></video:title>
<video:description><![CDATA[Gy&ouml;rgy P&eacute;ter 1954-ben sz&uuml;letett. Eszt&eacute;ta, m&eacute;diakutat&oacute;, &iacute;r&oacute;, egyetemi oktat&oacute;, kritikus, &eacute;s emellett sz&aacute;mos kultur&aacute;lis &eacute;s egy&eacute;b kezdem&eacute;nyez&eacute;s alap&iacute;t&oacute;ja volt. T&ouml;bbek k&ouml;z&ouml;tt ELTE M&eacute;diatansz&eacute;k, Origo, Nemzeti Audiovizu&aacute;lis Arch&iacute;vum (NAVA), valamint a Mindentud&aacute;s Egyeteme is hozz&aacute; k&ouml;tődik. Ezent&uacute;l k&ouml;z&eacute;rtelmis&eacute;gik&eacute;nt, tan&aacute;regy&eacute;nis&eacute;gk&eacute;nt is sokak &eacute;let&eacute;t hat&aacute;rozta meg, valamint az &Eacute;let &eacute;s Irodalom, &eacute;s sz&aacute;mos egy&eacute;b lap rendszeres szerzője volt. Ad&aacute;sunkban r&aacute; eml&eacute;kez&uuml;nk. Vend&eacute;g&uuml;nk Szegő J&aacute;nos, a Magvető Kiad&oacute; szerkesztője, K. Horv&aacute;th Zsolt t&aacute;rsadalomt&ouml;rt&eacute;n&eacute;sz &eacute;s Radn&oacute;ti S&aacute;ndor, eszt&eacute;ta.

00:00 - Visszasz&aacute;ml&aacute;l&aacute;s
01:52 - Kit vesz&iacute;tett&uuml;nk el Gy&ouml;rgy P&eacute;terrel?
09:50 - Milyen tan&aacute;regy&eacute;nis&eacute;g volt?
15:10 - Mi volt az egyetemeszm&eacute;nye, &eacute;rtelmis&eacute;gi szerepfelfog&aacute;sa?
22:52 - Eml&eacute;kezetpolitika, irodalom, gy&aacute;szmunka
26:55 - Kult&uacute;ra &eacute;s hatalom viszonya
36:59 - A m&uacute;lt szimbolikus helyei
44:06 - Origo-botr&aacute;ny, nemzed&eacute;ki gy&aacute;sz
49:33 - Kult&uacute;rak&ouml;zvet&iacute;tő szerep
51:26 - Trianon
54:54 - Radn&oacute;ti S&aacute;ndor &eacute;s Gy&ouml;rgy P&eacute;ter bar&aacute;ts&aacute;ga
1:00:58 - V&eacute;lem&eacute;nyvez&eacute;rek egykor &eacute;s ma
1:04:37 - Az &eacute;p&iacute;t&eacute;szet mindig &eacute;letforma
1:06:38 - Politikai eszt&eacute;tika
1:10:01 - Egy szem&eacute;lyes t&ouml;rt&eacute;net
1:11:30 - TGM &eacute;s Gy&ouml;rgy P&eacute;ter







&mdash;
A k&ouml;z&ouml;ss&eacute;g lehetős&eacute;g, a k&ouml;z&ouml;ss&eacute;g felelőss&eacute;g.
T&aacute;mogasd a Partiz&aacute;nt!
https://www.partizan.hu/tamogatas

&mdash;
Csatlakozz a Partiz&aacute;n k&ouml;z&ouml;ss&eacute;g&eacute;hez, maradjunk kapcsolatban, &eacute;s &eacute;rtes&uuml;lj elsők&eacute;nt esem&eacute;nyeinkről, akci&oacute;inkr&oacute;l!
https://csapat.partizanmedia.hu/forms/maradjunk-kapcsolatban

&mdash;
Legy&eacute;l &ouml;nk&eacute;ntes!
Csatlakozz a Partiz&aacute;n &ouml;nk&eacute;ntes csapat&aacute;hoz:
https://csapat.partizanmedia.hu/forms/csatlakozz-te-is-a-partizan-onkenteseihez

&mdash;
Iratkozz fel tematikus h&iacute;rleveleinkre!

Szerkesztős&eacute;gi H&iacute;rlev&eacute;l
https://csapat.partizanmedia.hu/forms/iratkozz-fel-a-partizan-szerkesztoinek-hirlevelere

Heti Feledy
https://csapat.partizanmedia.hu/forms/partizan-heti-feledy

V&eacute;]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=YJRcOkJs9q4]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=YJRcOkJs9q4]]></video:player_loc>
<video:duration>4445</video:duration>
<video:view_count><![CDATA[20032]]></video:view_count>
<video:publication_date><![CDATA[2025-10-30T21:34:10Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/az-inkluziv-es-felelossegteljes-muveszetfelfogas-kezikonyve/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/20C3VhKuIX4/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[The World is Bound with Secret Knots]]></video:title>
<video:description><![CDATA[Anca Benera &amp; Arnold Estefan @ SNG Bratislava

v&iacute;ce na: http://artycok.tv/?p=40488
more at: http://artycok.tv/?p=40488]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=20C3VhKuIX4]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=20C3VhKuIX4]]></video:player_loc>
<video:duration>3030</video:duration>
<video:view_count><![CDATA[429]]></video:view_count>
<video:publication_date><![CDATA[2018-03-24T13:18:34Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/ESjnOUApo0A/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Auditions for a Revolution]]></video:title>
<video:description><![CDATA[Chicago 2006, young people audition for roles in a reenactment of the
first televised revolution, the 1989 Romanian revolution.
In the piece, the Romanian artist, who witnessed the events, juxtaposes actual footage of the revolution* with reenactments of those same televised events by non-Romanian speaking performers. The new performance was recorded on video and also on 16mm film camera, a camera the artist acquired from a documentary film company that quite likely used the camera to film the 1989 revolution. In the reenactment, the young people try on &#039;the identity&#039; of the revolutionary and learn the &lsquo;language&rsquo; of revolution. In speaking a language they do not understand &ndash; though the artist has provided them with a translation &ndash; the words become abstracted, provoking the viewer to compare the performance with the original 1989 footage and to consider such questions as the construction versus the spontaneous unfolding of historical events, the manner in which a historical events gets transmitted and the possibility or impossibility of revolution today. The audition becomes a step located somewhere between theatricality and real life, a preparation for an event that took place in the past, and a futile gesture or an attempt to try and change or understand where things (the revolution and its aftermath) started to go wrong.

For the artist, the audition is a way to (re)visit the past in a more
comprehensive way, not just through the mind but through the body as well. In attempting to re-activate the memory of the body, the artist seeks to open up, explore and reclaim other virtualities, other possibilities, other
directions that the moment of revolution might have offered. In doing so, she hopes to discover a way to heal the wounds and release the tension created by this painful past in order to be able to live in the present - as well as understand the present through the past.

*Courtesy Harun Farocki and Andrei Ujica&#039; film &ldquo;Videogram of a Revolution&rdquo;]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=ESjnOUApo0A]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=ESjnOUApo0A]]></video:player_loc>
<video:duration>1370</video:duration>
<video:view_count><![CDATA[779]]></video:view_count>
<video:publication_date><![CDATA[2014-11-25T21:28:46Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/zYzqKW--VoY/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[30 ans de l'Institut Français de Roumanie à Iasi - Benoit Vitse]]></video:title>
<video:description><![CDATA[Beno&icirc;t  Vitse a &eacute;t&eacute; le deuxi&egrave;me directeur du CCF de Iasi.
#InstitutFrancais #Iasi #30ans]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=zYzqKW--VoY]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=zYzqKW--VoY]]></video:player_loc>
<video:duration>550</video:duration>
<video:view_count><![CDATA[161]]></video:view_count>
<video:publication_date><![CDATA[2021-04-20T07:17:30Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/mintha-kiterjesztenem-a-testemet-es-a-gondolataim-alakot-oltenenek-valaki-masban/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/TD56-MSuvSE/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[ANIKÓ MAZÁN: TREE CRUST FACE / KÉREGFEJ / KÔROVÁ HLAVA]]></video:title>
<video:description><![CDATA[ANIK&Oacute; MAZ&Aacute;N: TREE CRUST FACE
Anik&oacute; Maz&aacute;n concentrated primarily to the logging activities in the Small Csall&oacute;k&ouml;z area, and its covering in media. The mash, papier mach&eacute; created from articles in local papers gave new crust to the logs selected by the artist: the woods being the basic material and in the mean time topic of the papers. The video shot about the process and the negatives taken from the tree-trunks are strongly interconnected as they thematize both the excessive consumption of humanity and the ephemerity and weakness of the informations cautioning about it.

MAZ&Aacute;N ANIK&Oacute;: K&Eacute;REGFEJ
Maz&aacute;n Anik&oacute; elsősorban a Kis-Csall&oacute;k&ouml;zben v&eacute;gbemenő fakitermel&eacute;sre koncentr&aacute;lt, valamint a m&eacute;di&aacute;ban k&ouml;z&ouml;lt inform&aacute;ci&oacute;k megjelen&eacute;s&eacute;re.  A helyi &uacute;js&aacute;gokb&oacute;l, cikkekből &ouml;sszegyűjt&ouml;tt pap&iacute;rb&oacute;l k&eacute;sz&uuml;lt p&eacute;p, mas&eacute; &uacute;j k&eacute;rget, h&eacute;jat adott a műv&eacute;sz &aacute;ltal kiv&aacute;lasztott kiv&aacute;gott fat&ouml;rzseknek (amelyek az &uacute;js&aacute;gok alapanyagak&eacute;nt, de mint fakitermel&eacute;s, t&eacute;m&aacute;ik&eacute;nt is szolg&aacute;lTak). A folyamatr&oacute;l k&eacute;sz&uuml;lt vide&oacute; &eacute;s a t&ouml;rzsről vett negat&iacute;vok szorosan &ouml;sszekapcsol&oacute;dnak, egy&uuml;ttesen tematiz&aacute;lj&aacute;k az emberi fogyaszt&aacute;s m&eacute;rt&eacute;ktelens&eacute;g&eacute;t, &eacute;s az erre figyelmeztető inform&aacute;ci&oacute;k efemerit&aacute;s&aacute;t, erőtlens&eacute;g&eacute;t.

ANIK&Oacute; MAZ&Aacute;N: K&Ocirc;ROV&Aacute; HLAVA
Anik&oacute; Maz&aacute;n reaguje najm&auml; na prebiehaj&uacute;cu ťažbu dreva na Malom Žitnom Ostrove, ako aj na zverejňovanie inform&aacute;ci&iacute; publikovan&yacute;ch v m&eacute;di&aacute;ch.  Buničina vyroben&aacute; z papiera miestnych nov&iacute;n a čl&aacute;nkov dala umelkyňou vybran&yacute;m kmeňom stromov (ktor&eacute; s&uacute; jednak surovinou pre noviny, ale z&aacute;roveň reprezentuj&uacute; t&eacute;mu ťažby dreva) nov&uacute; k&ocirc;ru, &scaron;krupinu. Video zachyt&aacute;vaj&uacute;ce proces a odtlačky odobran&eacute; z pňov stromov s&uacute; silne prepojen&eacute;, keďže obe tematizuj&uacute; bezhraničnosť ľudsk&eacute;ho konzumu, efem&eacute;rnosť a slabosť inform&aacute;ci&iacute;, ktor&eacute; na ňu upozorňuj&uacute;.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=TD56-MSuvSE]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=TD56-MSuvSE]]></video:player_loc>
<video:duration>193</video:duration>
<video:view_count><![CDATA[34]]></video:view_count>
<video:publication_date><![CDATA[2025-03-13T21:42:12Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/-cSp_8pfLuE/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Mazán Anikó: 1-1; 0]]></video:title>
<video:description><![CDATA[Anik&oacute; MAZ&Aacute;N: 1-1; 0
performance
Foucault explains the individual&#039;s subjection to power systems, and thus the subject&#039;s subjection to certain forms of social pressure - the impact of which calls into question the receptive attitude and subjectivity itself - in his essay &quot;on the death of the subject&quot;. The power system primarily affects the individual by offering forms of organization with which the individual is ultimately subordinated to the power and thus becomes vulnerable. When civilization consolidates into new social forms regulated by power, individual initiative can no longer take effect. Capitalism is characterized by rapid production and the belief that everything can be replaced - this is how the two entities, system and person, cancel each other out, which is not equal to zero. The alienated findings of this are the abandoned spaces, the multitude of different wastes, in which man himself becomes the waste produced by the system as well. I tried to express this paradox in this performance. The organic existence of man appears in the dynamism of the hands, the unshakable and eternal belonging of the body, and the naturalness of the canvas. The veiling and suppressing of identity, the use of plastic, trash, and the colour black express replaceability, and thus the impersonality of the identity as a subject. The counterpoint and dynamics of these two forms the drama within the images, which is reinforced by the contrast between the voice of artificial intelligence and human voice in the audio.

MAZ&Aacute;N Anik&oacute;: 1-1; 0
performansz
Az egy&eacute;n hatalmi rendszereknek val&oacute; al&aacute;vetetts&eacute;g&eacute;t, s &iacute;gy a szubjektum al&aacute;vetetts&eacute;g&eacute;t a t&aacute;rsadalmi nyom&aacute;s egyes form&aacute;inak &ndash; mely r&aacute;hat&aacute;s a befogad&oacute;i attitűd&ouml;t, s mag&aacute;t a szubjektivit&aacute;st k&eacute;rdőjelezi meg &ndash;, Foucault a ,,a szubjektum hal&aacute;l&aacute;r&oacute;l&rdquo; &iacute;rt &eacute;rtekez&eacute;s&eacute;ben fejti ki. A hatalmi rendszer elsősorban azzal hat az egy&eacute;nre, hogy olyan rendszerez&eacute;si form&aacute;kat k&iacute;n&aacute;l, amelyekkel az egy&eacute;n v&eacute;gső soron]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=-cSp_8pfLuE]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=-cSp_8pfLuE]]></video:player_loc>
<video:duration>303</video:duration>
<video:view_count><![CDATA[36]]></video:view_count>
<video:publication_date><![CDATA[2025-03-05T11:38:09Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/0r4XyF74qfo/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[MAZÁN ANIKÓ-ZSIGRAI ESZTER: YOU ARE TOO CLOSE! / TÚL KÖZEL VAGY! / SI PRÍLIŠ BLÍZKO!]]></video:title>
<video:description><![CDATA[ANIK&Oacute; MAZ&Aacute;N AND ESZTER ZSIGRAI: YOU ARE TOO CLOSE!
performance
You&#039;re too close! expresses the frightened exclamation that consciousness induces in every situation in which it perceives that it can experience this survival, the small death.
It presents a fear which, although hidden, is our basic, instinctive fear. This is nothing other than the dissolution of individual identity. This feeling is twofold: we fear it and desire it at the same time. The interest of power systems is separation, the isolation of individuals from each other. As Russel also explains in connection with the relationship between power and the individual, society strives from the initial tribal phase towards the establishment of a government that aims to regulate human life, which is more and more orderly and covers an increasingly large area. The society of our time is characterized not only by the atomization of individual communities and families, but also by the alienation of individuals. The extremes, the sharp separation between different tendencies and views, are a natural consequence and end result of this process.

MAZ&Aacute;N ANIK&Oacute; &Eacute;S ZSIGRAI ESZTER: T&Uacute;L K&Ouml;ZEL VAGY!
performansz
A T&uacute;l k&ouml;zel vagy! azt a megrettent felki&aacute;lt&aacute;st fejezi ki, amelyet a tudat induk&aacute;l minden olyan helyzetben, amelyben azt &eacute;rz&eacute;keli, hogy ezt a meg&eacute;l&eacute;st, a kis hal&aacute;lt megtapasztalhatja.
Egy olyan f&eacute;lelem bemutat&aacute;s&aacute;r&oacute;l van sz&oacute;, amely ugyan rejtett, de alapvető, &ouml;szt&ouml;n&ouml;s f&eacute;lelm&uuml;nk. Ez nem m&aacute;s, mint az egy&eacute;ni identit&aacute;s felold&oacute;d&aacute;sa. Ez az &eacute;rz&eacute;s kettős: egyszerre f&eacute;l&uuml;nk &eacute;s v&aacute;gyunk r&aacute;. A hatalmi rendszerek &eacute;rdeke a szepar&aacute;ci&oacute;, az egy&eacute;nek elszigetel&eacute;se egym&aacute;st&oacute;l. Ahogy azt Russel is kifejti a hatalom &eacute;s az egy&eacute;n viszonya kapcs&aacute;n, a t&aacute;rsadalom a kezdeti t&ouml;rzsi f&aacute;zisb&oacute;l egyre ink&aacute;bb rendezett, mind nagyobb ter&uuml;letre kiterjedő, az emberi &eacute;letet szab&aacute;lyozni k&iacute;v&aacute;n&oacute; korm&aacute;nyzat kialak&iacute;t&aacute;sa fel&eacute; t&ouml;rekszik. Korunk t&aacute;rsadalm&aacute;ra jellemző, hogy m&aacute;r nem csup&aacute;n az egy]]></video:description>
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<url>
<loc>https://www.kontur-art.com/sk/vyzva-tranzit-sk-study-room/</loc>
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<video:title><![CDATA[DANILO PRNJAT: Can We Really Work Together? | tranzit.sk]]></video:title>
<video:description><![CDATA[//HU//
Danilo Prnjat Can We Really Work Together? c&iacute;mű workshopja 2025. &aacute;prilis 24-&eacute;n val&oacute;sult meg a pozsonyi tranzit.sk-n, ahol az alternat&iacute;v gazdas&aacute;gok &eacute;s a horizont&aacute;lis egy&uuml;ttműk&ouml;d&eacute;s k&eacute;rd&eacute;sei ker&uuml;ltek k&ouml;z&eacute;ppontba.

//SK//
Workshop Danila Prnjata Can We Really Work Together? sa uskutočnil 24. apr&iacute;la 2025 v bratislavskom tranzit.sk, kde sa do popredia dostali ot&aacute;zky alternat&iacute;vnych ekonom&iacute;k a horizont&aacute;lnej spolupr&aacute;ce.

//EN//
Danilo Prnjat&rsquo;s workshop Can We Really Work Together? took place on April 24, 2025 at tranzit.sk in Bratislava, focusing on questions of alternative economies and horizontal cooperation.]]></video:description>
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<video:duration>261</video:duration>
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<url>
<loc>https://www.kontur-art.com/hu/tranzit-sk-study-room-felhivas/</loc>
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<video:title><![CDATA[DANILO PRNJAT: Can We Really Work Together? | tranzit.sk]]></video:title>
<video:description><![CDATA[//HU//
Danilo Prnjat Can We Really Work Together? c&iacute;mű workshopja 2025. &aacute;prilis 24-&eacute;n val&oacute;sult meg a pozsonyi tranzit.sk-n, ahol az alternat&iacute;v gazdas&aacute;gok &eacute;s a horizont&aacute;lis egy&uuml;ttműk&ouml;d&eacute;s k&eacute;rd&eacute;sei ker&uuml;ltek k&ouml;z&eacute;ppontba.

//SK//
Workshop Danila Prnjata Can We Really Work Together? sa uskutočnil 24. apr&iacute;la 2025 v bratislavskom tranzit.sk, kde sa do popredia dostali ot&aacute;zky alternat&iacute;vnych ekonom&iacute;k a horizont&aacute;lnej spolupr&aacute;ce.

//EN//
Danilo Prnjat&rsquo;s workshop Can We Really Work Together? took place on April 24, 2025 at tranzit.sk in Bratislava, focusing on questions of alternative economies and horizontal cooperation.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=M7UkscASzmI]]></video:content_loc>
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<video:duration>261</video:duration>
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<url>
<loc>https://www.kontur-art.com/hu/elhivni-husz-romat-egy-kiallitasra-ahol-van-hatvan-kep-egy-gettorol-ertelmetlen/</loc>
<video:video>
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<video:title><![CDATA[The Comedian Hollywood Couldn’t Control: Patrice O’Neal]]></video:title>
<video:description><![CDATA[Patrice O&rsquo;Neal wasn&rsquo;t just a comedian&mdash;he was a philosopher. Known for his fearless honesty and unapologetic comedy, Patrice&rsquo;s views on comedy, relationships, and life were as insightful as they were controversial. This video essay explores the fundamentals of his philosophy: why comedy should be 50% laughter and 50% horror, why integrity matters more than success, and why a happy man means a happy woman. Patrice&rsquo;s legacy lives on as a voice of truth in a world of silence. 

But if you could boil down his philosophy into the fundamentals, what would they be? This is my video exploring my thoughts on what those could be and of who this great man was.

Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing.
At the time of this being made, these include the lovely people: &ldquo;Jack Pollard, Dr_Slurp, ThatEvilCanadian&rdquo;.

If you&rsquo;d also like the option of becoming a Patreon, head to: 
https://www.patreon.com/motioninart  

For more of my reviews, analyses, and other articles: 
https://motioninartmedia.com/ 

Twitter: 
https://twitter.com/motion_in_art  

Reddit: 
https://www.reddit.com/user/motioninart

Odysee:
https://odysee.com/@motioninart:3

To join the channel&#039;s Super Friends members:
https://www.youtube.com/channel/UCqKD9LycFTu8MxYCaX9Z8XA/join

Timestamps:

0:00 Introduction
3:38 Part 1 &ndash; Comedy
15:03 Part 2 &ndash; Honesty
31:02 Part 3 &ndash; Relationships 
42:33 Conclusion

Who is Patrice O&rsquo;Neal? 

Patrice Lumumba Malcolm O&#039;Neal (December 7, 1969 &ndash; November 29, 2011) was an American comedian and actor. He was known for his stand-up comedy career and his regular guest appearances on the talk show Tough Crowd with Colin Quinn and the radio show Opie and Anthony.

O&#039;Neal began performing stand-up in 1992 and developed an act based on conversations with the audience, deconstructive analysis, and occasionally confrontational points of view. From 2006 to 2008, he presented The Black Phillip Show on XM Satellite Radio.]]></video:description>
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<video:title><![CDATA[Kontrafakt - Cely den sa zajebavam]]></video:title>
<video:description><![CDATA[...]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=lMSsVgBTX0k]]></video:content_loc>
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<video:title><![CDATA[Kontrafakt - Mám piči]]></video:title>
<video:description><![CDATA[Kontrafakt - M&aacute;m piči]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=Dr5_hTVNM6c]]></video:content_loc>
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<loc>https://www.kontur-art.com/hu/masodik-muszak/</loc>
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<video:title><![CDATA[Anya képzőművész! Apa kurátor! – Interjú Bori Ommal]]></video:title>
<video:description><![CDATA[Az Anya k&eacute;pzőműv&eacute;sz! Apa kur&aacute;tor! c&iacute;mű interj&uacute;sorozatban az elm&uacute;lt &eacute;vekben sz&uuml;lőv&eacute; v&aacute;lt k&eacute;pzőműv&eacute;szekkel besz&eacute;lget&uuml;nk a műv&eacute;szeti praxis &eacute;s a sz&uuml;lőv&eacute; v&aacute;l&aacute;s rel&aacute;ci&oacute;j&aacute;ban felmer&uuml;lő speci&aacute;lis helyzetekről &eacute;s szem&eacute;lyes tapasztalatokr&oacute;l. Nem a műalkot&aacute;sok t&eacute;m&aacute;ja felől k&ouml;zel&iacute;tj&uuml;k meg a k&eacute;rd&eacute;st, hanem a reprodukt&iacute;v munka &eacute;s a k&eacute;pzőműv&eacute;szeti munka ir&aacute;ny&aacute;b&oacute;l. A sz&uuml;lőv&eacute; v&aacute;l&aacute;s, azon bel&uuml;l is az anyas&aacute;g t&eacute;m&aacute;ja a k&eacute;pzőműv&eacute;szeti mezőben m&aacute;ra l&aacute;that&oacute;s&aacute;got szerzett mag&aacute;nak glob&aacute;lis szinten, mik&ouml;zben a magyarorsz&aacute;gi szc&eacute;n&aacute;ban m&eacute;g mindig alulreprezent&aacute;lt. C&eacute;lunk a t&eacute;ma l&aacute;that&oacute;s&aacute;g&aacute;ra &ouml;sszpontosul&oacute; t&ouml;rekv&eacute;sek folytat&aacute;sa, ez&eacute;rt k&eacute;sz&iacute;t&uuml;nk egy kiadv&aacute;nyt is, melyben az interj&uacute;kat r&ouml;videbb, &aacute;tl&aacute;that&oacute;bb form&aacute;ban jelen&iacute;tj&uuml;k meg.

Az interj&uacute;k az al&aacute;bbi k&eacute;rd&eacute;sek ment&eacute;n k&eacute;sz&uuml;ltek:
Hogyan v&aacute;ltoztatta meg a sz&uuml;lőv&eacute; v&aacute;l&aacute;s a k&eacute;pzőműv&eacute;szeti munkav&eacute;gz&eacute;sedet? 
Mennyire műk&ouml;dők&eacute;pes a k&eacute;pzőműv&eacute;sz sz&uuml;lő modell, milyen előny&ouml;kkel &eacute;s h&aacute;tr&aacute;nyokkal j&aacute;r? 
Hol a szabadidő &eacute;s a munkaidő k&ouml;z&ouml;tti hat&aacute;r a k&eacute;pzőműv&eacute;szeti praxisodban &eacute;s a sz&uuml;lői l&eacute;tedben? 
Milyen m&eacute;rt&eacute;kben tapasztalod meg az &ouml;nkiteljesed&eacute;s &eacute;s az &ouml;nfel&aacute;ldoz&aacute;s &eacute;rz&eacute;s&eacute;t a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői feladataid sor&aacute;n? 
Hogy l&aacute;tod, m&aacute;sok munkak&eacute;nt &eacute;rtelmezik, elismerik a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői tev&eacute;kenys&eacute;ged? 
Mivel seg&iacute;tik egy ide&aacute;lis vil&aacute;gban a k&eacute;pzőműv&eacute;sz sz&uuml;lőket?

 
Koncepci&oacute;:

B&eacute;nyi Lilla &ndash; A MOME designelm&eacute;let mesterszak&aacute;n v&eacute;geztem, ahol elsősorban azt kutattam, mit nevez&uuml;nk ma műv&eacute;szk&ouml;nyvnek. Előtte az ELTE-n tanultam szociol&oacute;gi&aacute;t, akkor a nők&eacute;peket vizsg&aacute;ltam az &aacute;llamszocializmus kontextus&aacute;ban. Jelenlegi kutat&aacute;som t&aacute;rgya a kapitalizmus, a k&ouml;nyvkiad&aacute;s rendszer&eacute;nek torzul&aacute;sa &eacute;s az alternat&iacute;v szc&eacute;na műk&ouml;d&eacute;se. Szabad&uacute;sz&oacute; &iacute;r&oacute;k&eacute;nt, szerkesztők&eacute;nt &eacute;s k&ouml;nyvkiad&oacute;k&eacute;nt dolgozom.

T&oacute;th Bogl&aacute;rka &ndash; Alapk&eacute;z&eacute;semet a MOM]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=yAR3Pc0mdsI]]></video:content_loc>
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<video:video>
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<video:title><![CDATA[Anya képzőművész! Apa kurátor! – Interjú Czene Mártával]]></video:title>
<video:description><![CDATA[Az Anya k&eacute;pzőműv&eacute;sz! Apa kur&aacute;tor! c&iacute;mű interj&uacute;sorozatban az elm&uacute;lt &eacute;vekben sz&uuml;lőv&eacute; v&aacute;lt k&eacute;pzőműv&eacute;szekkel besz&eacute;lget&uuml;nk a műv&eacute;szeti praxis &eacute;s a sz&uuml;lőv&eacute; v&aacute;l&aacute;s rel&aacute;ci&oacute;j&aacute;ban felmer&uuml;lő speci&aacute;lis helyzetekről &eacute;s szem&eacute;lyes tapasztalatokr&oacute;l. Nem a műalkot&aacute;sok t&eacute;m&aacute;ja felől k&ouml;zel&iacute;tj&uuml;k meg a k&eacute;rd&eacute;st, hanem a reprodukt&iacute;v munka &eacute;s a k&eacute;pzőműv&eacute;szeti munka ir&aacute;ny&aacute;b&oacute;l. A sz&uuml;lőv&eacute; v&aacute;l&aacute;s, azon bel&uuml;l is az anyas&aacute;g t&eacute;m&aacute;ja a k&eacute;pzőműv&eacute;szeti mezőben m&aacute;ra l&aacute;that&oacute;s&aacute;got szerzett mag&aacute;nak glob&aacute;lis szinten, mik&ouml;zben a magyarorsz&aacute;gi szc&eacute;n&aacute;ban m&eacute;g mindig alulreprezent&aacute;lt. C&eacute;lunk a t&eacute;ma l&aacute;that&oacute;s&aacute;g&aacute;ra &ouml;sszpontosul&oacute; t&ouml;rekv&eacute;sek folytat&aacute;sa, ez&eacute;rt k&eacute;sz&iacute;t&uuml;nk egy kiadv&aacute;nyt is, melyben az interj&uacute;kat r&ouml;videbb, &aacute;tl&aacute;that&oacute;bb form&aacute;ban jelen&iacute;tj&uuml;k meg.

Az interj&uacute;k az al&aacute;bbi k&eacute;rd&eacute;sek ment&eacute;n k&eacute;sz&uuml;ltek:
Hogyan v&aacute;ltoztatta meg a sz&uuml;lőv&eacute; v&aacute;l&aacute;s a k&eacute;pzőműv&eacute;szeti munkav&eacute;gz&eacute;sedet? 
Mennyire műk&ouml;dők&eacute;pes a k&eacute;pzőműv&eacute;sz sz&uuml;lő modell, milyen előny&ouml;kkel &eacute;s h&aacute;tr&aacute;nyokkal j&aacute;r? 
Hol a szabadidő &eacute;s a munkaidő k&ouml;z&ouml;tti hat&aacute;r a k&eacute;pzőműv&eacute;szeti praxisodban &eacute;s a sz&uuml;lői l&eacute;tedben? 
Milyen m&eacute;rt&eacute;kben tapasztalod meg az &ouml;nkiteljesed&eacute;s &eacute;s az &ouml;nfel&aacute;ldoz&aacute;s &eacute;rz&eacute;s&eacute;t a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői feladataid sor&aacute;n? 
Hogy l&aacute;tod, m&aacute;sok munkak&eacute;nt &eacute;rtelmezik, elismerik a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői tev&eacute;kenys&eacute;ged? 
Mivel seg&iacute;tik egy ide&aacute;lis vil&aacute;gban a k&eacute;pzőműv&eacute;sz sz&uuml;lőket?

 
Koncepci&oacute;:

B&eacute;nyi Lilla &ndash; A MOME designelm&eacute;let mesterszak&aacute;n v&eacute;geztem, ahol elsősorban azt kutattam, mit nevez&uuml;nk ma műv&eacute;szk&ouml;nyvnek. Előtte az ELTE-n tanultam szociol&oacute;gi&aacute;t, akkor a nők&eacute;peket vizsg&aacute;ltam az &aacute;llamszocializmus kontextus&aacute;ban. Jelenlegi kutat&aacute;som t&aacute;rgya a kapitalizmus, a k&ouml;nyvkiad&aacute;s rendszer&eacute;nek torzul&aacute;sa &eacute;s az alternat&iacute;v szc&eacute;na műk&ouml;d&eacute;se. Szabad&uacute;sz&oacute; &iacute;r&oacute;k&eacute;nt, szerkesztők&eacute;nt &eacute;s k&ouml;nyvkiad&oacute;k&eacute;nt dolgozom.

T&oacute;th Bogl&aacute;rka &ndash; Alapk&eacute;z&eacute;semet a MOM]]></video:description>
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<video:title><![CDATA[Anya képzőművész! Apa kurátor! – Interjú Cséffai Györgyivel]]></video:title>
<video:description><![CDATA[Az Anya k&eacute;pzőműv&eacute;sz! Apa kur&aacute;tor! c&iacute;mű interj&uacute;sorozatban az elm&uacute;lt &eacute;vekben sz&uuml;lőv&eacute; v&aacute;lt k&eacute;pzőműv&eacute;szekkel besz&eacute;lget&uuml;nk a műv&eacute;szeti praxis &eacute;s a sz&uuml;lőv&eacute; v&aacute;l&aacute;s rel&aacute;ci&oacute;j&aacute;ban felmer&uuml;lő speci&aacute;lis helyzetekről &eacute;s szem&eacute;lyes tapasztalatokr&oacute;l. Nem a műalkot&aacute;sok t&eacute;m&aacute;ja felől k&ouml;zel&iacute;tj&uuml;k meg a k&eacute;rd&eacute;st, hanem a reprodukt&iacute;v munka &eacute;s a k&eacute;pzőműv&eacute;szeti munka ir&aacute;ny&aacute;b&oacute;l. A sz&uuml;lőv&eacute; v&aacute;l&aacute;s, azon bel&uuml;l is az anyas&aacute;g t&eacute;m&aacute;ja a k&eacute;pzőműv&eacute;szeti mezőben m&aacute;ra l&aacute;that&oacute;s&aacute;got szerzett mag&aacute;nak glob&aacute;lis szinten, mik&ouml;zben a magyarorsz&aacute;gi szc&eacute;n&aacute;ban m&eacute;g mindig alulreprezent&aacute;lt. C&eacute;lunk a t&eacute;ma l&aacute;that&oacute;s&aacute;g&aacute;ra &ouml;sszpontosul&oacute; t&ouml;rekv&eacute;sek folytat&aacute;sa, ez&eacute;rt k&eacute;sz&iacute;t&uuml;nk egy kiadv&aacute;nyt is, melyben az interj&uacute;kat r&ouml;videbb, &aacute;tl&aacute;that&oacute;bb form&aacute;ban jelen&iacute;tj&uuml;k meg.

Az interj&uacute;k az al&aacute;bbi k&eacute;rd&eacute;sek ment&eacute;n k&eacute;sz&uuml;ltek:
Hogyan v&aacute;ltoztatta meg a sz&uuml;lőv&eacute; v&aacute;l&aacute;s a k&eacute;pzőműv&eacute;szeti munkav&eacute;gz&eacute;sedet? 
Mennyire műk&ouml;dők&eacute;pes a k&eacute;pzőműv&eacute;sz sz&uuml;lő modell, milyen előny&ouml;kkel &eacute;s h&aacute;tr&aacute;nyokkal j&aacute;r? 
Hol a szabadidő &eacute;s a munkaidő k&ouml;z&ouml;tti hat&aacute;r a k&eacute;pzőműv&eacute;szeti praxisodban &eacute;s a sz&uuml;lői l&eacute;tedben? 
Milyen m&eacute;rt&eacute;kben tapasztalod meg az &ouml;nkiteljesed&eacute;s &eacute;s az &ouml;nfel&aacute;ldoz&aacute;s &eacute;rz&eacute;s&eacute;t a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői feladataid sor&aacute;n? 
Hogy l&aacute;tod, m&aacute;sok munkak&eacute;nt &eacute;rtelmezik, elismerik a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői tev&eacute;kenys&eacute;ged? 
Mivel seg&iacute;tik egy ide&aacute;lis vil&aacute;gban a k&eacute;pzőműv&eacute;sz sz&uuml;lőket?

 
Koncepci&oacute;:

B&eacute;nyi Lilla &ndash; A MOME designelm&eacute;let mesterszak&aacute;n v&eacute;geztem, ahol elsősorban azt kutattam, mit nevez&uuml;nk ma műv&eacute;szk&ouml;nyvnek. Előtte az ELTE-n tanultam szociol&oacute;gi&aacute;t, akkor a nők&eacute;peket vizsg&aacute;ltam az &aacute;llamszocializmus kontextus&aacute;ban. Jelenlegi kutat&aacute;som t&aacute;rgya a kapitalizmus, a k&ouml;nyvkiad&aacute;s rendszer&eacute;nek torzul&aacute;sa &eacute;s az alternat&iacute;v szc&eacute;na műk&ouml;d&eacute;se. Szabad&uacute;sz&oacute; &iacute;r&oacute;k&eacute;nt, szerkesztők&eacute;nt &eacute;s k&ouml;nyvkiad&oacute;k&eacute;nt dolgozom.

T&oacute;th Bogl&aacute;rka &ndash; Alapk&eacute;z&eacute;semet a MOM]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=t1BviNZry8k]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=t1BviNZry8k]]></video:player_loc>
<video:duration>1020</video:duration>
<video:view_count><![CDATA[1044]]></video:view_count>
<video:publication_date><![CDATA[2025-05-05T16:11:51Z]]></video:publication_date>
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<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/bCdHzDSiuVU/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Anya képzőművész! Apa kurátor! – Interjú Dobokay Mátéval]]></video:title>
<video:description><![CDATA[Az Anya k&eacute;pzőműv&eacute;sz! Apa kur&aacute;tor! c&iacute;mű interj&uacute;sorozatban az elm&uacute;lt &eacute;vekben sz&uuml;lőv&eacute; v&aacute;lt k&eacute;pzőműv&eacute;szekkel besz&eacute;lget&uuml;nk a műv&eacute;szeti praxis &eacute;s a sz&uuml;lőv&eacute; v&aacute;l&aacute;s rel&aacute;ci&oacute;j&aacute;ban felmer&uuml;lő speci&aacute;lis helyzetekről &eacute;s szem&eacute;lyes tapasztalatokr&oacute;l. Nem a műalkot&aacute;sok t&eacute;m&aacute;ja felől k&ouml;zel&iacute;tj&uuml;k meg a k&eacute;rd&eacute;st, hanem a reprodukt&iacute;v munka &eacute;s a k&eacute;pzőműv&eacute;szeti munka ir&aacute;ny&aacute;b&oacute;l. A sz&uuml;lőv&eacute; v&aacute;l&aacute;s, azon bel&uuml;l is az anyas&aacute;g t&eacute;m&aacute;ja a k&eacute;pzőműv&eacute;szeti mezőben m&aacute;ra l&aacute;that&oacute;s&aacute;got szerzett mag&aacute;nak glob&aacute;lis szinten, mik&ouml;zben a magyarorsz&aacute;gi szc&eacute;n&aacute;ban m&eacute;g mindig alulreprezent&aacute;lt. C&eacute;lunk a t&eacute;ma l&aacute;that&oacute;s&aacute;g&aacute;ra &ouml;sszpontosul&oacute; t&ouml;rekv&eacute;sek folytat&aacute;sa, ez&eacute;rt k&eacute;sz&iacute;t&uuml;nk egy kiadv&aacute;nyt is, melyben az interj&uacute;kat r&ouml;videbb, &aacute;tl&aacute;that&oacute;bb form&aacute;ban jelen&iacute;tj&uuml;k meg.

Az interj&uacute;k az al&aacute;bbi k&eacute;rd&eacute;sek ment&eacute;n k&eacute;sz&uuml;ltek:
Hogyan v&aacute;ltoztatta meg a sz&uuml;lőv&eacute; v&aacute;l&aacute;s a k&eacute;pzőműv&eacute;szeti munkav&eacute;gz&eacute;sedet? 
Mennyire műk&ouml;dők&eacute;pes a k&eacute;pzőműv&eacute;sz sz&uuml;lő modell, milyen előny&ouml;kkel &eacute;s h&aacute;tr&aacute;nyokkal j&aacute;r? 
Hol a szabadidő &eacute;s a munkaidő k&ouml;z&ouml;tti hat&aacute;r a k&eacute;pzőműv&eacute;szeti praxisodban &eacute;s a sz&uuml;lői l&eacute;tedben? 
Milyen m&eacute;rt&eacute;kben tapasztalod meg az &ouml;nkiteljesed&eacute;s &eacute;s az &ouml;nfel&aacute;ldoz&aacute;s &eacute;rz&eacute;s&eacute;t a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői feladataid sor&aacute;n? 
Hogy l&aacute;tod, m&aacute;sok munkak&eacute;nt &eacute;rtelmezik, elismerik a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői tev&eacute;kenys&eacute;ged? 
Mivel seg&iacute;tik egy ide&aacute;lis vil&aacute;gban a k&eacute;pzőműv&eacute;sz sz&uuml;lőket?

 
Koncepci&oacute;:

B&eacute;nyi Lilla &ndash; A MOME designelm&eacute;let mesterszak&aacute;n v&eacute;geztem, ahol elsősorban azt kutattam, mit nevez&uuml;nk ma műv&eacute;szk&ouml;nyvnek. Előtte az ELTE-n tanultam szociol&oacute;gi&aacute;t, akkor a nők&eacute;peket vizsg&aacute;ltam az &aacute;llamszocializmus kontextus&aacute;ban. Jelenlegi kutat&aacute;som t&aacute;rgya a kapitalizmus, a k&ouml;nyvkiad&aacute;s rendszer&eacute;nek torzul&aacute;sa &eacute;s az alternat&iacute;v szc&eacute;na műk&ouml;d&eacute;se. Szabad&uacute;sz&oacute; &iacute;r&oacute;k&eacute;nt, szerkesztők&eacute;nt &eacute;s k&ouml;nyvkiad&oacute;k&eacute;nt dolgozom.

T&oacute;th Bogl&aacute;rka &ndash; Alapk&eacute;z&eacute;semet a MOM]]></video:description>
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<video:duration>1319</video:duration>
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<video:publication_date><![CDATA[2025-05-15T07:00:27Z]]></video:publication_date>
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<video:title><![CDATA[Anya képzőművész! Apa kurátor! – Interjú Ember Sárival]]></video:title>
<video:description><![CDATA[Az Anya k&eacute;pzőműv&eacute;sz! Apa kur&aacute;tor! c&iacute;mű interj&uacute;sorozatban az elm&uacute;lt &eacute;vekben sz&uuml;lőv&eacute; v&aacute;lt k&eacute;pzőműv&eacute;szekkel besz&eacute;lget&uuml;nk a műv&eacute;szeti praxis &eacute;s a sz&uuml;lőv&eacute; v&aacute;l&aacute;s rel&aacute;ci&oacute;j&aacute;ban felmer&uuml;lő speci&aacute;lis helyzetekről &eacute;s szem&eacute;lyes tapasztalatokr&oacute;l. Nem a műalkot&aacute;sok t&eacute;m&aacute;ja felől k&ouml;zel&iacute;tj&uuml;k meg a k&eacute;rd&eacute;st, hanem a reprodukt&iacute;v munka &eacute;s a k&eacute;pzőműv&eacute;szeti munka ir&aacute;ny&aacute;b&oacute;l. A sz&uuml;lőv&eacute; v&aacute;l&aacute;s, azon bel&uuml;l is az anyas&aacute;g t&eacute;m&aacute;ja a k&eacute;pzőműv&eacute;szeti mezőben m&aacute;ra l&aacute;that&oacute;s&aacute;got szerzett mag&aacute;nak glob&aacute;lis szinten, mik&ouml;zben a magyarorsz&aacute;gi szc&eacute;n&aacute;ban m&eacute;g mindig alulreprezent&aacute;lt. C&eacute;lunk a t&eacute;ma l&aacute;that&oacute;s&aacute;g&aacute;ra &ouml;sszpontosul&oacute; t&ouml;rekv&eacute;sek folytat&aacute;sa, ez&eacute;rt k&eacute;sz&iacute;t&uuml;nk egy kiadv&aacute;nyt is, melyben az interj&uacute;kat r&ouml;videbb, &aacute;tl&aacute;that&oacute;bb form&aacute;ban jelen&iacute;tj&uuml;k meg.

Az interj&uacute;k az al&aacute;bbi k&eacute;rd&eacute;sek ment&eacute;n k&eacute;sz&uuml;ltek:
Hogyan v&aacute;ltoztatta meg a sz&uuml;lőv&eacute; v&aacute;l&aacute;s a k&eacute;pzőműv&eacute;szeti munkav&eacute;gz&eacute;sedet? 
Mennyire műk&ouml;dők&eacute;pes a k&eacute;pzőműv&eacute;sz sz&uuml;lő modell, milyen előny&ouml;kkel &eacute;s h&aacute;tr&aacute;nyokkal j&aacute;r? 
Hol a szabadidő &eacute;s a munkaidő k&ouml;z&ouml;tti hat&aacute;r a k&eacute;pzőműv&eacute;szeti praxisodban &eacute;s a sz&uuml;lői l&eacute;tedben? 
Milyen m&eacute;rt&eacute;kben tapasztalod meg az &ouml;nkiteljesed&eacute;s &eacute;s az &ouml;nfel&aacute;ldoz&aacute;s &eacute;rz&eacute;s&eacute;t a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői feladataid sor&aacute;n? 
Hogy l&aacute;tod, m&aacute;sok munkak&eacute;nt &eacute;rtelmezik, elismerik a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői tev&eacute;kenys&eacute;ged? 
Mivel seg&iacute;tik egy ide&aacute;lis vil&aacute;gban a k&eacute;pzőműv&eacute;sz sz&uuml;lőket?

 
Koncepci&oacute;:

B&eacute;nyi Lilla &ndash; A MOME designelm&eacute;let mesterszak&aacute;n v&eacute;geztem, ahol elsősorban azt kutattam, mit nevez&uuml;nk ma műv&eacute;szk&ouml;nyvnek. Előtte az ELTE-n tanultam szociol&oacute;gi&aacute;t, akkor a nők&eacute;peket vizsg&aacute;ltam az &aacute;llamszocializmus kontextus&aacute;ban. Jelenlegi kutat&aacute;som t&aacute;rgya a kapitalizmus, a k&ouml;nyvkiad&aacute;s rendszer&eacute;nek torzul&aacute;sa &eacute;s az alternat&iacute;v szc&eacute;na műk&ouml;d&eacute;se. Szabad&uacute;sz&oacute; &iacute;r&oacute;k&eacute;nt, szerkesztők&eacute;nt &eacute;s k&ouml;nyvkiad&oacute;k&eacute;nt dolgozom.

T&oacute;th Bogl&aacute;rka &ndash; Alapk&eacute;z&eacute;semet a MOM]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=h82MfZOdKxY]]></video:content_loc>
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<video:duration>1077</video:duration>
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<video:publication_date><![CDATA[2025-06-10T11:46:04Z]]></video:publication_date>
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<video:video>
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<video:title><![CDATA[Anya képzőművész! Apa kurátor! – Interjú Fajgerné Dudás Andreával]]></video:title>
<video:description><![CDATA[Az Anya k&eacute;pzőműv&eacute;sz! Apa kur&aacute;tor! c&iacute;mű interj&uacute;sorozatban az elm&uacute;lt &eacute;vekben sz&uuml;lőv&eacute; v&aacute;lt k&eacute;pzőműv&eacute;szekkel besz&eacute;lget&uuml;nk a műv&eacute;szeti praxis &eacute;s a sz&uuml;lőv&eacute; v&aacute;l&aacute;s rel&aacute;ci&oacute;j&aacute;ban felmer&uuml;lő speci&aacute;lis helyzetekről &eacute;s szem&eacute;lyes tapasztalatokr&oacute;l. Nem a műalkot&aacute;sok t&eacute;m&aacute;ja felől k&ouml;zel&iacute;tj&uuml;k meg a k&eacute;rd&eacute;st, hanem a reprodukt&iacute;v munka &eacute;s a k&eacute;pzőműv&eacute;szeti munka ir&aacute;ny&aacute;b&oacute;l. A sz&uuml;lőv&eacute; v&aacute;l&aacute;s, azon bel&uuml;l is az anyas&aacute;g t&eacute;m&aacute;ja a k&eacute;pzőműv&eacute;szeti mezőben m&aacute;ra l&aacute;that&oacute;s&aacute;got szerzett mag&aacute;nak glob&aacute;lis szinten, mik&ouml;zben a magyarorsz&aacute;gi szc&eacute;n&aacute;ban m&eacute;g mindig alulreprezent&aacute;lt. C&eacute;lunk a t&eacute;ma l&aacute;that&oacute;s&aacute;g&aacute;ra &ouml;sszpontosul&oacute; t&ouml;rekv&eacute;sek folytat&aacute;sa, ez&eacute;rt k&eacute;sz&iacute;t&uuml;nk egy kiadv&aacute;nyt is, melyben az interj&uacute;kat r&ouml;videbb, &aacute;tl&aacute;that&oacute;bb form&aacute;ban jelen&iacute;tj&uuml;k meg.

Az interj&uacute;k az al&aacute;bbi k&eacute;rd&eacute;sek ment&eacute;n k&eacute;sz&uuml;ltek:
Hogyan v&aacute;ltoztatta meg a sz&uuml;lőv&eacute; v&aacute;l&aacute;s a k&eacute;pzőműv&eacute;szeti munkav&eacute;gz&eacute;sedet? 
Mennyire műk&ouml;dők&eacute;pes a k&eacute;pzőműv&eacute;sz sz&uuml;lő modell, milyen előny&ouml;kkel &eacute;s h&aacute;tr&aacute;nyokkal j&aacute;r? 
Hol a szabadidő &eacute;s a munkaidő k&ouml;z&ouml;tti hat&aacute;r a k&eacute;pzőműv&eacute;szeti praxisodban &eacute;s a sz&uuml;lői l&eacute;tedben? 
Milyen m&eacute;rt&eacute;kben tapasztalod meg az &ouml;nkiteljesed&eacute;s &eacute;s az &ouml;nfel&aacute;ldoz&aacute;s &eacute;rz&eacute;s&eacute;t a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői feladataid sor&aacute;n? 
Hogy l&aacute;tod, m&aacute;sok munkak&eacute;nt &eacute;rtelmezik, elismerik a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői tev&eacute;kenys&eacute;ged? 
Mivel seg&iacute;tik egy ide&aacute;lis vil&aacute;gban a k&eacute;pzőműv&eacute;sz sz&uuml;lőket?

 
Koncepci&oacute;:

B&eacute;nyi Lilla &ndash; A MOME designelm&eacute;let mesterszak&aacute;n v&eacute;geztem, ahol elsősorban azt kutattam, mit nevez&uuml;nk ma műv&eacute;szk&ouml;nyvnek. Előtte az ELTE-n tanultam szociol&oacute;gi&aacute;t, akkor a nők&eacute;peket vizsg&aacute;ltam az &aacute;llamszocializmus kontextus&aacute;ban. Jelenlegi kutat&aacute;som t&aacute;rgya a kapitalizmus, a k&ouml;nyvkiad&aacute;s rendszer&eacute;nek torzul&aacute;sa &eacute;s az alternat&iacute;v szc&eacute;na műk&ouml;d&eacute;se. Szabad&uacute;sz&oacute; &iacute;r&oacute;k&eacute;nt, szerkesztők&eacute;nt &eacute;s k&ouml;nyvkiad&oacute;k&eacute;nt dolgozom.

T&oacute;th Bogl&aacute;rka &ndash; Alapk&eacute;z&eacute;semet a MOM]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=C-piJv1ku10]]></video:content_loc>
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<video:duration>1959</video:duration>
<video:view_count><![CDATA[591]]></video:view_count>
<video:publication_date><![CDATA[2025-05-13T08:00:14Z]]></video:publication_date>
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<video:video>
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<video:title><![CDATA[Anya képzőművész! Apa kurátor! – Interjú Fátyol Violával]]></video:title>
<video:description><![CDATA[Az Anya k&eacute;pzőműv&eacute;sz! Apa kur&aacute;tor! c&iacute;mű interj&uacute;sorozatban az elm&uacute;lt &eacute;vekben sz&uuml;lőv&eacute; v&aacute;lt k&eacute;pzőműv&eacute;szekkel besz&eacute;lget&uuml;nk a műv&eacute;szeti praxis &eacute;s a sz&uuml;lőv&eacute; v&aacute;l&aacute;s rel&aacute;ci&oacute;j&aacute;ban felmer&uuml;lő speci&aacute;lis helyzetekről &eacute;s szem&eacute;lyes tapasztalatokr&oacute;l. Nem a műalkot&aacute;sok t&eacute;m&aacute;ja felől k&ouml;zel&iacute;tj&uuml;k meg a k&eacute;rd&eacute;st, hanem a reprodukt&iacute;v munka &eacute;s a k&eacute;pzőműv&eacute;szeti munka ir&aacute;ny&aacute;b&oacute;l. A sz&uuml;lőv&eacute; v&aacute;l&aacute;s, azon bel&uuml;l is az anyas&aacute;g t&eacute;m&aacute;ja a k&eacute;pzőműv&eacute;szeti mezőben m&aacute;ra l&aacute;that&oacute;s&aacute;got szerzett mag&aacute;nak glob&aacute;lis szinten, mik&ouml;zben a magyarorsz&aacute;gi szc&eacute;n&aacute;ban m&eacute;g mindig alulreprezent&aacute;lt. C&eacute;lunk a t&eacute;ma l&aacute;that&oacute;s&aacute;g&aacute;ra &ouml;sszpontosul&oacute; t&ouml;rekv&eacute;sek folytat&aacute;sa, ez&eacute;rt k&eacute;sz&iacute;t&uuml;nk egy kiadv&aacute;nyt is, melyben az interj&uacute;kat r&ouml;videbb, &aacute;tl&aacute;that&oacute;bb form&aacute;ban jelen&iacute;tj&uuml;k meg.

Az interj&uacute;k az al&aacute;bbi k&eacute;rd&eacute;sek ment&eacute;n k&eacute;sz&uuml;ltek:
Hogyan v&aacute;ltoztatta meg a sz&uuml;lőv&eacute; v&aacute;l&aacute;s a k&eacute;pzőműv&eacute;szeti munkav&eacute;gz&eacute;sedet? 
Mennyire műk&ouml;dők&eacute;pes a k&eacute;pzőműv&eacute;sz sz&uuml;lő modell, milyen előny&ouml;kkel &eacute;s h&aacute;tr&aacute;nyokkal j&aacute;r? 
Hol a szabadidő &eacute;s a munkaidő k&ouml;z&ouml;tti hat&aacute;r a k&eacute;pzőműv&eacute;szeti praxisodban &eacute;s a sz&uuml;lői l&eacute;tedben? 
Milyen m&eacute;rt&eacute;kben tapasztalod meg az &ouml;nkiteljesed&eacute;s &eacute;s az &ouml;nfel&aacute;ldoz&aacute;s &eacute;rz&eacute;s&eacute;t a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői feladataid sor&aacute;n? 
Hogy l&aacute;tod, m&aacute;sok munkak&eacute;nt &eacute;rtelmezik, elismerik a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői tev&eacute;kenys&eacute;ged? 
Mivel seg&iacute;tik egy ide&aacute;lis vil&aacute;gban a k&eacute;pzőműv&eacute;sz sz&uuml;lőket?

 
Koncepci&oacute;:

B&eacute;nyi Lilla &ndash; A MOME designelm&eacute;let mesterszak&aacute;n v&eacute;geztem, ahol elsősorban azt kutattam, mit nevez&uuml;nk ma műv&eacute;szk&ouml;nyvnek. Előtte az ELTE-n tanultam szociol&oacute;gi&aacute;t, akkor a nők&eacute;peket vizsg&aacute;ltam az &aacute;llamszocializmus kontextus&aacute;ban. Jelenlegi kutat&aacute;som t&aacute;rgya a kapitalizmus, a k&ouml;nyvkiad&aacute;s rendszer&eacute;nek torzul&aacute;sa &eacute;s az alternat&iacute;v szc&eacute;na műk&ouml;d&eacute;se. Szabad&uacute;sz&oacute; &iacute;r&oacute;k&eacute;nt, szerkesztők&eacute;nt &eacute;s k&ouml;nyvkiad&oacute;k&eacute;nt dolgozom.

T&oacute;th Bogl&aacute;rka &ndash; Alapk&eacute;z&eacute;semet a MOM]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=nxNhjIT15O0]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=nxNhjIT15O0]]></video:player_loc>
<video:duration>1616</video:duration>
<video:view_count><![CDATA[660]]></video:view_count>
<video:publication_date><![CDATA[2025-05-08T06:00:41Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/szqklMUOX9w/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Anya képzőművész! Apa kurátor! – Interjú Koller Margittal]]></video:title>
<video:description><![CDATA[Az Anya k&eacute;pzőműv&eacute;sz! Apa kur&aacute;tor! c&iacute;mű interj&uacute;sorozatban az elm&uacute;lt &eacute;vekben sz&uuml;lőv&eacute; v&aacute;lt k&eacute;pzőműv&eacute;szekkel besz&eacute;lget&uuml;nk a műv&eacute;szeti praxis &eacute;s a sz&uuml;lőv&eacute; v&aacute;l&aacute;s rel&aacute;ci&oacute;j&aacute;ban felmer&uuml;lő speci&aacute;lis helyzetekről &eacute;s szem&eacute;lyes tapasztalatokr&oacute;l. Nem a műalkot&aacute;sok t&eacute;m&aacute;ja felől k&ouml;zel&iacute;tj&uuml;k meg a k&eacute;rd&eacute;st, hanem a reprodukt&iacute;v munka &eacute;s a k&eacute;pzőműv&eacute;szeti munka ir&aacute;ny&aacute;b&oacute;l. A sz&uuml;lőv&eacute; v&aacute;l&aacute;s, azon bel&uuml;l is az anyas&aacute;g t&eacute;m&aacute;ja a k&eacute;pzőműv&eacute;szeti mezőben m&aacute;ra l&aacute;that&oacute;s&aacute;got szerzett mag&aacute;nak glob&aacute;lis szinten, mik&ouml;zben a magyarorsz&aacute;gi szc&eacute;n&aacute;ban m&eacute;g mindig alulreprezent&aacute;lt. C&eacute;lunk a t&eacute;ma l&aacute;that&oacute;s&aacute;g&aacute;ra &ouml;sszpontosul&oacute; t&ouml;rekv&eacute;sek folytat&aacute;sa, ez&eacute;rt k&eacute;sz&iacute;t&uuml;nk egy kiadv&aacute;nyt is, melyben az interj&uacute;kat r&ouml;videbb, &aacute;tl&aacute;that&oacute;bb form&aacute;ban jelen&iacute;tj&uuml;k meg.

Az interj&uacute;k az al&aacute;bbi k&eacute;rd&eacute;sek ment&eacute;n k&eacute;sz&uuml;ltek:
Hogyan v&aacute;ltoztatta meg a sz&uuml;lőv&eacute; v&aacute;l&aacute;s a k&eacute;pzőműv&eacute;szeti munkav&eacute;gz&eacute;sedet? 
Mennyire műk&ouml;dők&eacute;pes a k&eacute;pzőműv&eacute;sz sz&uuml;lő modell, milyen előny&ouml;kkel &eacute;s h&aacute;tr&aacute;nyokkal j&aacute;r? 
Hol a szabadidő &eacute;s a munkaidő k&ouml;z&ouml;tti hat&aacute;r a k&eacute;pzőműv&eacute;szeti praxisodban &eacute;s a sz&uuml;lői l&eacute;tedben? 
Milyen m&eacute;rt&eacute;kben tapasztalod meg az &ouml;nkiteljesed&eacute;s &eacute;s az &ouml;nfel&aacute;ldoz&aacute;s &eacute;rz&eacute;s&eacute;t a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői feladataid sor&aacute;n? 
Hogy l&aacute;tod, m&aacute;sok munkak&eacute;nt &eacute;rtelmezik, elismerik a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői tev&eacute;kenys&eacute;ged? 
Mivel seg&iacute;tik egy ide&aacute;lis vil&aacute;gban a k&eacute;pzőműv&eacute;sz sz&uuml;lőket?

 
Koncepci&oacute;:

B&eacute;nyi Lilla &ndash; A MOME designelm&eacute;let mesterszak&aacute;n v&eacute;geztem, ahol elsősorban azt kutattam, mit nevez&uuml;nk ma műv&eacute;szk&ouml;nyvnek. Előtte az ELTE-n tanultam szociol&oacute;gi&aacute;t, akkor a nők&eacute;peket vizsg&aacute;ltam az &aacute;llamszocializmus kontextus&aacute;ban. Jelenlegi kutat&aacute;som t&aacute;rgya a kapitalizmus, a k&ouml;nyvkiad&aacute;s rendszer&eacute;nek torzul&aacute;sa &eacute;s az alternat&iacute;v szc&eacute;na műk&ouml;d&eacute;se. Szabad&uacute;sz&oacute; &iacute;r&oacute;k&eacute;nt, szerkesztők&eacute;nt &eacute;s k&ouml;nyvkiad&oacute;k&eacute;nt dolgozom.

T&oacute;th Bogl&aacute;rka &ndash; Alapk&eacute;z&eacute;semet a MOM]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=szqklMUOX9w]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=szqklMUOX9w]]></video:player_loc>
<video:duration>1951</video:duration>
<video:view_count><![CDATA[352]]></video:view_count>
<video:publication_date><![CDATA[2025-05-21T06:00:57Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/iJKb_wKbfh8/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Anya képzőművész! Apa kurátor! – Interjú Thury Lilivel]]></video:title>
<video:description><![CDATA[Az Anya k&eacute;pzőműv&eacute;sz! Apa kur&aacute;tor! c&iacute;mű interj&uacute;sorozatban az elm&uacute;lt &eacute;vekben sz&uuml;lőv&eacute; v&aacute;lt k&eacute;pzőműv&eacute;szekkel besz&eacute;lget&uuml;nk a műv&eacute;szeti praxis &eacute;s a sz&uuml;lőv&eacute; v&aacute;l&aacute;s rel&aacute;ci&oacute;j&aacute;ban felmer&uuml;lő speci&aacute;lis helyzetekről &eacute;s szem&eacute;lyes tapasztalatokr&oacute;l. Nem a műalkot&aacute;sok t&eacute;m&aacute;ja felől k&ouml;zel&iacute;tj&uuml;k meg a k&eacute;rd&eacute;st, hanem a reprodukt&iacute;v munka &eacute;s a k&eacute;pzőműv&eacute;szeti munka ir&aacute;ny&aacute;b&oacute;l. A sz&uuml;lőv&eacute; v&aacute;l&aacute;s, azon bel&uuml;l is az anyas&aacute;g t&eacute;m&aacute;ja a k&eacute;pzőműv&eacute;szeti mezőben m&aacute;ra l&aacute;that&oacute;s&aacute;got szerzett mag&aacute;nak glob&aacute;lis szinten, mik&ouml;zben a magyarorsz&aacute;gi szc&eacute;n&aacute;ban m&eacute;g mindig alulreprezent&aacute;lt. C&eacute;lunk a t&eacute;ma l&aacute;that&oacute;s&aacute;g&aacute;ra &ouml;sszpontosul&oacute; t&ouml;rekv&eacute;sek folytat&aacute;sa, ez&eacute;rt k&eacute;sz&iacute;t&uuml;nk egy kiadv&aacute;nyt is, melyben az interj&uacute;kat r&ouml;videbb, &aacute;tl&aacute;that&oacute;bb form&aacute;ban jelen&iacute;tj&uuml;k meg.

Az interj&uacute;k az al&aacute;bbi k&eacute;rd&eacute;sek ment&eacute;n k&eacute;sz&uuml;ltek:
Hogyan v&aacute;ltoztatta meg a sz&uuml;lőv&eacute; v&aacute;l&aacute;s a k&eacute;pzőműv&eacute;szeti munkav&eacute;gz&eacute;sedet? 
Mennyire műk&ouml;dők&eacute;pes a k&eacute;pzőműv&eacute;sz sz&uuml;lő modell, milyen előny&ouml;kkel &eacute;s h&aacute;tr&aacute;nyokkal j&aacute;r? 
Hol a szabadidő &eacute;s a munkaidő k&ouml;z&ouml;tti hat&aacute;r a k&eacute;pzőműv&eacute;szeti praxisodban &eacute;s a sz&uuml;lői l&eacute;tedben? 
Milyen m&eacute;rt&eacute;kben tapasztalod meg az &ouml;nkiteljesed&eacute;s &eacute;s az &ouml;nfel&aacute;ldoz&aacute;s &eacute;rz&eacute;s&eacute;t a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői feladataid sor&aacute;n? 
Hogy l&aacute;tod, m&aacute;sok munkak&eacute;nt &eacute;rtelmezik, elismerik a k&eacute;pzőműv&eacute;szeti &eacute;s a sz&uuml;lői tev&eacute;kenys&eacute;ged? 
Mivel seg&iacute;tik egy ide&aacute;lis vil&aacute;gban a k&eacute;pzőműv&eacute;sz sz&uuml;lőket?

 
Koncepci&oacute;:

B&eacute;nyi Lilla &ndash; A MOME designelm&eacute;let mesterszak&aacute;n v&eacute;geztem, ahol elsősorban azt kutattam, mit nevez&uuml;nk ma műv&eacute;szk&ouml;nyvnek. Előtte az ELTE-n tanultam szociol&oacute;gi&aacute;t, akkor a nők&eacute;peket vizsg&aacute;ltam az &aacute;llamszocializmus kontextus&aacute;ban. Jelenlegi kutat&aacute;som t&aacute;rgya a kapitalizmus, a k&ouml;nyvkiad&aacute;s rendszer&eacute;nek torzul&aacute;sa &eacute;s az alternat&iacute;v szc&eacute;na műk&ouml;d&eacute;se. Szabad&uacute;sz&oacute; &iacute;r&oacute;k&eacute;nt, szerkesztők&eacute;nt &eacute;s k&ouml;nyvkiad&oacute;k&eacute;nt dolgozom.

T&oacute;th Bogl&aacute;rka &ndash; Alapk&eacute;z&eacute;semet a MOM]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=iJKb_wKbfh8]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=iJKb_wKbfh8]]></video:player_loc>
<video:duration>1285</video:duration>
<video:view_count><![CDATA[519]]></video:view_count>
<video:publication_date><![CDATA[2025-06-17T14:00:20Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/es-onmagamban-hazatalaltam-ha-csak-egy-alomban-is/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/CP-pC4oyH3I/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[The Strappo Technique]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=CP-pC4oyH3I]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=CP-pC4oyH3I]]></video:player_loc>
<video:duration>308</video:duration>
<video:view_count><![CDATA[11807]]></video:view_count>
<video:publication_date><![CDATA[2018-02-27T10:00:43Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/kialtas-keletrol/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/s0YkvKELaQM/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Activist screams for a minute at briefing over situation in Belarus]]></video:title>
<video:description><![CDATA[A Belarusian activist decrying the recent arrest of a Belarusian journalist screamed for a minute during a press conference on Monday.

Speaking during a press conference outside the Belarusian embassy in Warsaw, Jana Shostak said, &quot;We can&#039;t be silent anymore and all we have left is a minute of screaming.&quot;

Activist Stephan Putilo also spoke at the press conference, stating that &quot;the scale of repression is at its maximum in the history of independent Belarus&quot;.

Putilo, along with recently arrested journalist and activist Raman Pratasevich, founded Nexta, a popular messaging app that played a key role in helping organise huge protests against Belarusian President Alexander Lukashenko.

Pratasevich was arrested on Sunday after Belarusian flight controllers told the crew of a Ryanair jetliner flying from Greece to Lithuania that there was a bomb threat against the plane as it was crossing through Belarus airspace and ordered it to land.

A Belarusian MiG-29 fighter jet was scrambled to escort the plane in a brazen show of force by Lukashenko, who has ruled the country with an iron fist for over a quarter-century.

Belarus authorities then detained the 26-year-old journalist and activist and his Russian girlfriend, Sofia Sapega.

Pratasevich, who left Belarus in 2019, has been charged in absentia with staging mass riots and fanning social hatred.

Those charges carry a prison sentence of up to 15 years.

Nexta has been labeled as &quot;extremist&quot; by the Belarusian authorities, and some fear Pratasevich could face more serious charges, including some that carry the death penalty.

Subscribe to the Evening Standard on YouTube: https://www.youtube.com/channel/UC7RQon_YwCnp_LbPtEwW65w?sub_confirmation=1]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=s0YkvKELaQM]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=s0YkvKELaQM]]></video:player_loc>
<video:duration>69</video:duration>
<video:view_count><![CDATA[4160]]></video:view_count>
<video:publication_date><![CDATA[2021-05-25T14:57:03Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/terfoglalo-gesztusok/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/Y4VAdN7HaxQ/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[The Forgotten Maggies Official Documentary (52 min) Magdalene Laundries]]></video:title>
<video:description><![CDATA[Directed and Produced by Steven O&#039;Riordan, The Forgotten Maggies follows the lives of several Magdalene women who left the institutions in Ireland and tried to obtain Redress for the abuse they suffered. It focuses on the human rights aspect surrounding the Magdalene Laundries, including an exploration of the High Park exhumation in Dublin, where 155 Magdalene women were exhumed in 1993.

The documentary was launched at the Galway Film Festival in 2009 and had its international premiere at The Cantor Film Centre in New York the same year. It was broadcast on Irish TV  for the first time in 2011 and is the only Irish-made film on the subject matter. 

The Irish Times said that &quot;The Forgotten Maggies was an opportunity to &quot;rectify&quot; in some small way, the wrong that was visited upon these women over many years&quot;, with the Irish Independent saying, &quot;It took the persistence of documentary maker Steven O&#039;Riordan and his team to secure justice.&quot; The Forgotten Maggies gave the women political recognition, clearing the way for an official state apology to the survivors of Ireland&#039;s Magdalene Laundries in 2013. 

It was filmed in Ireland and the UK from 2006-2009, including Carlow, Wexford, Dublin, Kildare, Cork, Limerick, London and Bournemouth.

Website: www.stevenoriordan.com
Twitter: https://twitter.com/StevenOR_ 
Instagram: https://www.instagram.com/stevenor_]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=Y4VAdN7HaxQ]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=Y4VAdN7HaxQ]]></video:player_loc>
<video:duration>7229</video:duration>
<video:view_count><![CDATA[394964]]></video:view_count>
<video:publication_date><![CDATA[2016-04-01T11:24:29Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/fekete-az-anyag-rejtett-lelke/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/Q7aa60LAWxA/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Fehér Dávid megnyitóbeszéde | KOÓS Gábor: Gazing Into Darkness // A sötétbe nézek]]></video:title>
<video:description><![CDATA[Ko&oacute;s G&aacute;bor leg&uacute;jabb, Gazing Into Darkness // A s&ouml;t&eacute;tbe n&eacute;zek c&iacute;mű ki&aacute;ll&iacute;t&aacute;s&aacute;t Feh&eacute;r D&aacute;vid, műv&eacute;szett&ouml;rt&eacute;n&eacute;sz nyitotta meg 2024. febru&aacute;r 7-&eacute;n, szerd&aacute;n 18 &oacute;r&aacute;t&oacute;l az INDA Gal&eacute;ria Project Roomba.


2023 ősz&eacute;n ny&iacute;lt Sz&eacute;kesfeh&eacute;rv&aacute;ron, a Szent Istv&aacute;n Kir&aacute;ly M&uacute;zeumban Ko&oacute;s G&aacute;bor azonos c&iacute;mű &ndash; Gazing Into Darkness // A s&ouml;t&eacute;tbe n&eacute;zek &ndash; ki&aacute;ll&iacute;t&aacute;sa, ahol egy helyspecifikus install&aacute;ci&oacute; &eacute;p&uuml;lt fel leg&uacute;jabb festm&eacute;nyeiből, amelyeket Junichir&oacute; Tanizaki jap&aacute;n &iacute;r&oacute; Az &aacute;rnyak dics&eacute;rete (In Praise of Shadows) c&iacute;mű &iacute;r&aacute;sa ihlette. A Szent Istv&aacute;n Kir&aacute;ly M&uacute;zeum Orsz&aacute;gz&aacute;szl&oacute; t&eacute;ri ki&aacute;ll&iacute;t&oacute;helye jellegzetes tetőablakai miatt egy rendk&iacute;v&uuml;l vil&aacute;gos t&eacute;r, &eacute;s ez &ndash; a Tanizaki essz&eacute;j&eacute;ben kifejtett gondolatok szerint &ndash; nagyon nyugativ&aacute; teszi. A f&eacute;ny a mennyezeten elhelyezkedő 24 ablakon kereszt&uuml;l jut be a t&eacute;rbe &ndash; ez a 24 ablak k&ouml;zponti szerepet kapott a sz&eacute;kesfeh&eacute;rv&aacute;ri install&aacute;ci&oacute;ban. A t&eacute;r f&eacute;nyess&eacute;g&eacute;nek ellens&uacute;lyoz&aacute;s&aacute;ra Ko&oacute;s egy olyan fel&uuml;letet helyezett a f&eacute;nnyel, azaz az ablakokkal szembe, ami a lehető legnagyobb mennyis&eacute;gű f&eacute;nyt volt k&eacute;pes elnyelni. Radik&aacute;lis gesztus, amely felvetette, hogy mik&eacute;nt v&aacute;ltozhat meg egy teljes t&eacute;r aur&aacute;ja.

Az INDA Gal&eacute;ria projekszob&aacute;j&aacute;ban most ny&iacute;l&oacute; ki&aacute;ll&iacute;t&aacute;s ennek a t&aacute;rlatnak egy izgalmas adapt&aacute;ci&oacute;ja, amely egyben k&iacute;s&eacute;rlet is arra, hogyan műk&ouml;dnek ugyanazon festm&eacute;nyek a t&eacute;r, &eacute;s ez&aacute;ltal a f&eacute;nyek megv&aacute;ltoz&aacute;s&aacute;nak hat&aacute;s&aacute;ra.

//////////

&bdquo;A 24 ablakot tollal puha pap&iacute;rra rajzolom. A toll nyomokat hagy a pap&iacute;ron, s azokb&oacute;l &iacute;gy nyomatokat tudok k&eacute;sz&iacute;teni. A nyomtat&aacute;s ut&aacute;n a rajzolt ablakokat a l&eacute;tező legs&ouml;t&eacute;tebb fest&eacute;kkel, a jap&aacute;n Musou feket&eacute;vel festem &aacute;t. Ezzel a gesztussal, hogy a t&eacute;r f&eacute;nyess&eacute;g&eacute;t ellens&uacute;lyozzam, egy olyan fel&uuml;letet helyezek a f&eacute;nnyel szembe, ami a lehető legnagyobb mennyis&eacute;gű f&eacute;nyt k&eacute;pes elnyelni. A nyomatokkal ugyanazt a k&iacute;s&eacute;rletet hajtom v&eacute;gre, mint mag&aacute;val a t&eacute;rrel, csak ez&uacute;t]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=Q7aa60LAWxA]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=Q7aa60LAWxA]]></video:player_loc>
<video:duration>798</video:duration>
<video:view_count><![CDATA[217]]></video:view_count>
<video:publication_date><![CDATA[2024-02-19T15:26:28Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/SAiQSyj6WGA/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[KOÓS Gábor: Gazing Into Darkness // A sötétbe nézek – Bódi Kinga és Koós Gábor tárlatvezetése]]></video:title>
<video:description><![CDATA[2023 ősz&eacute;n ny&iacute;lt Sz&eacute;kesfeh&eacute;rv&aacute;ron, a Szent Istv&aacute;n Kir&aacute;ly M&uacute;zeumban Ko&oacute;s G&aacute;bor azonos c&iacute;mű &ndash; Gazing Into Darkness // A s&ouml;t&eacute;tbe n&eacute;zek &ndash; ki&aacute;ll&iacute;t&aacute;sa, ahol egy helyspecifikus install&aacute;ci&oacute; &eacute;p&uuml;lt fel leg&uacute;jabb festm&eacute;nyeiből, amelyeket Junichir&oacute; Tanizaki jap&aacute;n &iacute;r&oacute; Az &aacute;rnyak dics&eacute;rete (In Praise of Shadows) c&iacute;mű &iacute;r&aacute;sa ihlette. A Szent Istv&aacute;n Kir&aacute;ly M&uacute;zeum Orsz&aacute;gz&aacute;szl&oacute; t&eacute;ri ki&aacute;ll&iacute;t&oacute;helye jellegzetes tetőablakai miatt egy rendk&iacute;v&uuml;l vil&aacute;gos t&eacute;r, &eacute;s ez &ndash; a Tanizaki essz&eacute;j&eacute;ben kifejtett gondolatok szerint &ndash; nagyon nyugativ&aacute; teszi. A f&eacute;ny a mennyezeten elhelyezkedő 24 ablakon kereszt&uuml;l jut be a t&eacute;rbe &ndash; ez a 24 ablak k&ouml;zponti szerepet kapott a sz&eacute;kesfeh&eacute;rv&aacute;ri install&aacute;ci&oacute;ban. A t&eacute;r f&eacute;nyess&eacute;g&eacute;nek ellens&uacute;lyoz&aacute;s&aacute;ra Ko&oacute;s egy olyan fel&uuml;letet helyezett a f&eacute;nnyel, azaz az ablakokkal szembe, ami a lehető legnagyobb mennyis&eacute;gű f&eacute;nyt volt k&eacute;pes elnyelni. Radik&aacute;lis gesztus, amely felvetette, hogy mik&eacute;nt v&aacute;ltozhat meg egy teljes t&eacute;r aur&aacute;ja.

Az INDA Gal&eacute;ria projekszob&aacute;j&aacute;ban 2024. febru&aacute;r 7-&eacute;n ny&iacute;l&oacute; ki&aacute;ll&iacute;t&aacute;s ennek a t&aacute;rlatnak egy izgalmas adapt&aacute;ci&oacute;ja, amely egyben k&iacute;s&eacute;rlet is arra, hogyan műk&ouml;dnek ugyanazon festm&eacute;nyek a t&eacute;r, &eacute;s ez&aacute;ltal a f&eacute;nyek megv&aacute;ltoz&aacute;s&aacute;nak hat&aacute;s&aacute;ra.

//////////

&bdquo;A 24 ablakot tollal puha pap&iacute;rra rajzolom. A toll nyomokat hagy a pap&iacute;ron, s azokb&oacute;l &iacute;gy nyomatokat tudok k&eacute;sz&iacute;teni. A nyomtat&aacute;s ut&aacute;n a rajzolt ablakokat a l&eacute;tező legs&ouml;t&eacute;tebb fest&eacute;kkel, a jap&aacute;n Musou feket&eacute;vel festem &aacute;t. Ezzel a gesztussal, hogy a t&eacute;r f&eacute;nyess&eacute;g&eacute;t ellens&uacute;lyozzam, egy olyan fel&uuml;letet helyezek a f&eacute;nnyel szembe, ami a lehető legnagyobb mennyis&eacute;gű f&eacute;nyt k&eacute;pes elnyelni. A nyomatokkal ugyanazt a k&iacute;s&eacute;rletet hajtom v&eacute;gre, mint mag&aacute;val a t&eacute;rrel, csak ez&uacute;ttal egy festm&eacute;ny a m&eacute;dium. Egy apr&oacute; ecsettel pontr&oacute;l pontra &aacute;tfestem a k&eacute;p feh&eacute;r r&eacute;szeit ugyanazzal a s&ouml;t&eacute;t fest&eacute;kkel, hogy kit&ouml;r&ouml;ljek belőle minden f&eacute;nyt. Ezzel a gesztussal m&aacute;s minős&eacute;g]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=SAiQSyj6WGA]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=SAiQSyj6WGA]]></video:player_loc>
<video:duration>2044</video:duration>
<video:view_count><![CDATA[203]]></video:view_count>
<video:publication_date><![CDATA[2024-02-03T14:32:08Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/ketelkedni-a-terkep-igazaban/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/u_QxXnh23kE/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[THE MAPPING JOURNEY PROJECT BOUCHRA KHALILI editado]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=u_QxXnh23kE]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=u_QxXnh23kE]]></video:player_loc>
<video:duration>239</video:duration>
<video:view_count><![CDATA[6059]]></video:view_count>
<video:publication_date><![CDATA[2019-05-14T18:15:52Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/antropocentrikus-nezopontunk-hatarain/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/4Cpo0QeDyw0/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Vadvízország - trailer]]></video:title>
<video:description><![CDATA[A kanyarg&oacute; Tisz&aacute;t &ouml;vező buja, s&ouml;t&eacute;tz&ouml;ld erdős&aacute;v egy k&uuml;l&ouml;nleges vil&aacute;got rejt. A dzsungel-szerű, sűrű erdőt zsebkendő m&eacute;retű f&ouml;ldek &eacute;s gy&uuml;m&ouml;lcs&ouml;s&ouml;k, kis, c&ouml;l&ouml;ph&aacute;zas horg&aacute;sztany&aacute;k szabdalj&aacute;k. Az &aacute;rvizektől v&eacute;dő g&aacute;t innenső oldal&aacute;t rendszeresen el&ouml;nti a Tisza, az itt &eacute;lő &eacute;s dolgoz&oacute; emberek ebben m&eacute;gsem a neh&eacute;zs&eacute;get, hanem az &eacute;letet hoz&oacute; v&iacute;z aj&aacute;nd&eacute;k&aacute;t l&aacute;tj&aacute;k. M&iacute;g a g&aacute;t t&uacute;loldal&aacute;n fekvő telep&uuml;l&eacute;seket csapad&eacute;kszeg&eacute;ny, forr&oacute;, asz&aacute;lyos időj&aacute;r&aacute;s s&uacute;jtja, itt a term&eacute;szet gazdags&aacute;g&aacute;val tal&aacute;lkozhatunk. A Vadvizorsz&aacute;g c. r&ouml;vid dokumentumfilm szereplői hal&aacute;szok, horg&aacute;szok, a vizmegtart&aacute;s szak&eacute;rtői &eacute;s tal&aacute;n az utols&oacute; &aacute;rt&eacute;ri gazd&aacute;lkod&oacute;k, akik ebben a k&uuml;l&ouml;nleges t&aacute;jban kalauzolva minket, a Tisz&aacute;val val&oacute; egy&uuml;tt&eacute;l&eacute;sről mes&eacute;lnek.

C&iacute;m: Vadvizorsz&aacute;g
Rendezte: Bartha M&aacute;t&eacute;, Ill&eacute;s Zs&oacute;fia Szonja 
Kutat&aacute;s: Ill&eacute;s Zs&oacute;fia Szonja
Kamera, v&aacute;g&aacute;s: Bartha M&aacute;t&eacute;
Hangut&oacute;munka: Nagy Botond
Hossz: 26 perc]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=4Cpo0QeDyw0]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=4Cpo0QeDyw0]]></video:player_loc>
<video:duration>70</video:duration>
<video:view_count><![CDATA[2881]]></video:view_count>
<video:publication_date><![CDATA[2025-01-17T09:09:12Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/ez-nem-a-kozonsegformalasrol-hanem-a-kozossegformalasrol-szol/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/ABwlg5-AQMU/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[The ABC of thr Projectariat, interview with Kuba Szreder - Pierre d'Alancaisez]]></video:title>
<video:description><![CDATA[Labour has taken an about-turn. From Adam Smith&rsquo;s proposal for specialisation which saw the factory line reorganised so that each worker needed to understand only a small aspect of the production process, many industries now rely on access to specialised skills and resources that are commanded at-hoc in discrete, time- and output-bound chunks.

This is the logic of projects. The workforce no longer dedicates itself to the making of a singular commodity, as it was the case with Smith, but bids for discrete pieces of work when those are in demand. In some industries, for example, in the art world, the workforce is also charged with building the demand for their work by initiating the project which would then employ them.    

The ABC of the Projectariat by Kuba Szreder contributes new thinking on and practical responses to the widespread problem of precarious labour in contemporary art. It is both a critical analysis and a practical handbook, speaking to and about the vast cohort of artistic freelancers worldwide. Kuba Szreder speaks to Pierre d&rsquo;Alancaisez about the artistic project, and the effects of projectarisation on workers&rsquo; solidarity, communal governance, and the precarity of artistic activity.

Kuba Szreder is a lecturer in the department of art theory at the Academy of Fine Arts in Warsaw. He combines his research with independent curatorial practice. His previous publications include Joy Forever: Political Economy of Social Creativity (2011) and Art Factory: Division of Labor and Distribution of Resources in the Field of Contemporary Art in Poland (2014). In 2018, together with Kathrin B&ouml;hm, he initiated Centre for Plausible Economies, a cluster devoted to reimagining economies of contemporary art and using artistic imagination to redraw the economy at large.

The ABC of the Projectariat 
Living and working in a precarious art world

Kuba Szreder

Published by Manchester University Press, 2021
ISBN 9781526161321]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=ABwlg5-AQMU]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=ABwlg5-AQMU]]></video:player_loc>
<video:duration>4265</video:duration>
<video:view_count><![CDATA[144]]></video:view_count>
<video:publication_date><![CDATA[2022-06-24T08:21:22Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/az-egyetlen-csoda-a-megszolalas-erejeben-van/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/F9wRMQ81Y_g/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Charlotte Salomon's 'Life? Or Theatre?']]></video:title>
<video:description><![CDATA[The Jewish Historical Museum marks the 100th anniversary of the birth of the artist Charlotte Salomon (1917-1943) with a special exhibition dedicated to her artistic legacy: the artwork &#039;Life? Or Theatre?&#039;

Charlotte Salomon was 22 years of age when she fled from Berlin and arrived at her grandparents&rsquo; home in the South of France as a refugee in December 1938. When her grandmother committed suicide following the outbreak of the Second World War, Charlotte embarked on a &lsquo;totally wild project&rsquo; to ward off mental disintegration. She produced many hundreds of gouaches in which she re-created her life as a painted drama. Charlotte Salomon was murdered in Auschwitz in 1943.

After the Second World War her father and his wife discovered Life? Or Theatre? in the South of France. They donated it to the Jewish Historical Museum in 1971. In the decades since then, parts of the work have travelled to diverse museums around the world. Salomon&rsquo;s life&rsquo;s work unfailingly arouses strong reactions, and it has inspired artists, filmmakers, writers and choreographers to make creations of their own. The Jewish Historical Museum is now displaying the entire work &ndash; over 800 gouaches &ndash; for the first time.

www.jck.nl/charlotte-salomon]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=F9wRMQ81Y_g]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=F9wRMQ81Y_g]]></video:player_loc>
<video:duration>126</video:duration>
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<video:publication_date><![CDATA[2018-01-08T10:37:51Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/visszatekintes-2024-re/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/u6Okg0448BY/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Nové akvizície Východoslovenskej galérie 2020–2023/New acquisitions of East Slovak Gallery 2020–2023]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=u6Okg0448BY]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=u6Okg0448BY]]></video:player_loc>
<video:duration>262</video:duration>
<video:view_count><![CDATA[24]]></video:view_count>
<video:publication_date><![CDATA[2024-05-05T13:09:33Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/konnyed-szepsegbe-rejtett-nyers-texturak/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/Mf5Yjg6Navw/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Noima Work in Progress 2020]]></video:title>
<video:description><![CDATA[Our group was founded in 2003 in the western Romania, with the goal to have an exchange &ndash; which may prevent us from getting too autistic. We are all painters but often working in different media &ndash; video, photography, installations or performances&hellip; We are trying to ignore the dictatorship of the latest cry, to have our special relationship with time and language. Inserted in the present without hesitation, we are also focused on the past that refuses to pass away.

In 2014 Noima decided to be not only a dialogue space between individual painting projects, but a visual environment, in which semiotic practices &ndash; actions &ndash; games may occur. Figuring our group as an organism, a living system and playing with the words life form &ndash; form of life, we are sometimes talking about the big (collective) eye, the tactile whiskers&hellip; in performative dialogues with the surrounding space. Drawing, painting, sharing visual experiences, changing perspectives and approaches, following game-moves and often a particular grammar, searching for collective visual perspectives in different contexts.

Noima current members: Sorin Scurtulescu, Andrei Rosetti, Ciprian Bodea, Dan Gherman, Cosmin Frunteş.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=Mf5Yjg6Navw]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=Mf5Yjg6Navw]]></video:player_loc>
<video:duration>2042</video:duration>
<video:view_count><![CDATA[382]]></video:view_count>
<video:publication_date><![CDATA[2020-11-03T08:54:16Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/lFXhnq8tMWA/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Noima, Light Air Wind 2016]]></video:title>
<video:description><![CDATA[LIGHT AIR WIND
action

Rum&auml;nisches Kulturinstitut Wien, Vienna &ndash; AT, 2016

 On contemplation. The artists played the light, air and wind using a large canvas, sieves and flour. Opening performance in Noima exhibition Where the Wind Takes Us at The Romanian Cultural Institute, Vienna 2016.

Constantin Flondor &amp; Noima Group (Sorin Scurtulescu, Cosmin Fruntes)]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=lFXhnq8tMWA]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=lFXhnq8tMWA]]></video:player_loc>
<video:duration>412</video:duration>
<video:view_count><![CDATA[19]]></video:view_count>
<video:publication_date><![CDATA[2020-11-07T22:10:52Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/w1ozdvXRdHo/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Noima, Bringing Light 2015]]></video:title>
<video:description><![CDATA[BRINGING LIGHT
Intervention / collective painting performance

Friday Exit Space - D&ouml;blergasse 2, Vienna - AT

2015

 20 min collective painting intervention. Acrylic on canvas.

4 closed windows in a dark basement. 4 x 5 minutes 4 workers trying to keep the light flux in a dark cellar. Opening performance at the Projektraum Donau @ Friday Exit exhibition.

Ciprian Bodea, Sorin Scurtulescu, Cosmin Fruntes, Andrei Rosetti]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=w1ozdvXRdHo]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=w1ozdvXRdHo]]></video:player_loc>
<video:duration>355</video:duration>
<video:view_count><![CDATA[41]]></video:view_count>
<video:publication_date><![CDATA[2020-11-07T22:39:01Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/sk/entity-ozivajuce-v-nepokojnych-zvukoch-kriz/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/_F7TO0CD4P0/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Richard Aradský: TRANSCRIPTION]]></video:title>
<video:description><![CDATA[A Transcription c&iacute;mű projekt a term&eacute;szetben keletkezett, az ott hallhat&oacute; zajokb&oacute;l indul ki. Richard Aradsk&yacute; ezeket a&nbsp;hangokat &iacute;rta &aacute;t szobrokk&aacute;, t&eacute;rbeli objektumokk&aacute;. Hangr&ouml;gz&iacute;tő seg&iacute;ts&eacute;g&eacute;vel k&eacute;sz&iacute;tett hangfelv&eacute;teleket, amelyek alapj&aacute;n plasztik&aacute;kat k&eacute;sz&iacute;tett.  Ezek az &aacute;t&iacute;r&aacute;sok kifejezetten szubjekt&iacute;v elveken műk&ouml;dnek, amolyan szineszt&eacute;ziak&eacute;nt.

Projekt Transcription sa s&uacute;streďuje na subjekt&iacute;vne ch&aacute;panie zvukov&eacute;ho vnemu, snaž&iacute; sa o prepisovanie priestorov&yacute;ch zvukov pr&iacute;rodn&yacute;ch &uacute;kazov do priestorov&yacute;ch objektov a s&ocirc;ch. Pracuje v&yacute;lučne s&nbsp;pr&iacute;rodn&yacute;mi materi&aacute;lmi n&aacute;jden&yacute;ch v&nbsp;spom&iacute;nanom prostred&iacute;, pričom v technologickej časti využ&iacute;va sk&ocirc;r fyzik&aacute;lne princ&iacute;py, ako chemick&eacute; a neprirodzen&eacute; prvky. Zvuky sa nahr&aacute;vali prostredn&iacute;ctvom stereo diktaf&oacute;nu, ktor&yacute; umožňuje zaznamen&aacute;vať priestorov&eacute; znenie.

The project Transcription was born in the nature, starting out from the noises heard there. Richard Aradsk&yacute; transcripted these sounds into statues, spacial objects. He created these from the sounds he recorded. These transcription are fully subjective, functioning as synaesthesiae.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=_F7TO0CD4P0]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=_F7TO0CD4P0]]></video:player_loc>
<video:duration>445</video:duration>
<video:view_count><![CDATA[77]]></video:view_count>
<video:publication_date><![CDATA[2023-01-06T23:47:35Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/a-krizisek-nyugtalan-hangjaiban-eletre-kelo-entitasok/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/_F7TO0CD4P0/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Richard Aradský: TRANSCRIPTION]]></video:title>
<video:description><![CDATA[A Transcription c&iacute;mű projekt a term&eacute;szetben keletkezett, az ott hallhat&oacute; zajokb&oacute;l indul ki. Richard Aradsk&yacute; ezeket a&nbsp;hangokat &iacute;rta &aacute;t szobrokk&aacute;, t&eacute;rbeli objektumokk&aacute;. Hangr&ouml;gz&iacute;tő seg&iacute;ts&eacute;g&eacute;vel k&eacute;sz&iacute;tett hangfelv&eacute;teleket, amelyek alapj&aacute;n plasztik&aacute;kat k&eacute;sz&iacute;tett.  Ezek az &aacute;t&iacute;r&aacute;sok kifejezetten szubjekt&iacute;v elveken műk&ouml;dnek, amolyan szineszt&eacute;ziak&eacute;nt.

Projekt Transcription sa s&uacute;streďuje na subjekt&iacute;vne ch&aacute;panie zvukov&eacute;ho vnemu, snaž&iacute; sa o prepisovanie priestorov&yacute;ch zvukov pr&iacute;rodn&yacute;ch &uacute;kazov do priestorov&yacute;ch objektov a s&ocirc;ch. Pracuje v&yacute;lučne s&nbsp;pr&iacute;rodn&yacute;mi materi&aacute;lmi n&aacute;jden&yacute;ch v&nbsp;spom&iacute;nanom prostred&iacute;, pričom v technologickej časti využ&iacute;va sk&ocirc;r fyzik&aacute;lne princ&iacute;py, ako chemick&eacute; a neprirodzen&eacute; prvky. Zvuky sa nahr&aacute;vali prostredn&iacute;ctvom stereo diktaf&oacute;nu, ktor&yacute; umožňuje zaznamen&aacute;vať priestorov&eacute; znenie.

The project Transcription was born in the nature, starting out from the noises heard there. Richard Aradsk&yacute; transcripted these sounds into statues, spacial objects. He created these from the sounds he recorded. These transcription are fully subjective, functioning as synaesthesiae.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=_F7TO0CD4P0]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=_F7TO0CD4P0]]></video:player_loc>
<video:duration>445</video:duration>
<video:view_count><![CDATA[77]]></video:view_count>
<video:publication_date><![CDATA[2023-01-06T23:47:35Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/helembai-percepciok/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/rpwqrFHAddw/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[SILENT SONGS - trailer with voice over]]></video:title>
<video:description><![CDATA[Hudobno-videohappening &bdquo;SILENT SONGS&ldquo; je pr&uacute;dom gest a akci&iacute; vložen&yacute; do cyklick&yacute;ch cvičen&iacute;. Performeri nie s&uacute; herci, ich akty s&uacute; sledom pohybov s&uacute;visiacich so z&aacute;kladn&yacute;mi princ&iacute;pmi fyzick&eacute;ho divadla. Cvičenia n&aacute;s poz&yacute;vaj&uacute; k empatii cez fyzick&uacute; bolesť, ktor&aacute; sa objavuje a postupuje v procese cvičen&iacute;, ukazuj&uacute;c bezmocnosť človeka, ktor&yacute; sa snaž&iacute; o nemožn&eacute;, na bezmocnosť unaven&eacute;ho človeka a unaven&eacute;ho tela. Živelnosť projektu je v jeho konkr&eacute;tnosti. Dr&aacute;mou opakuj&uacute;cich sa pohybov nie je len fyzick&aacute; &uacute;nava, ale aj z&uacute;fal&aacute; absurdita uv&auml;znenia v cyklickom procese. Každ&yacute; pohyb zost&aacute;va bolestiv&yacute;m natiahnut&iacute;m k nedosiahnuteľn&eacute;mu v tomto nekonečne bez&uacute;te&scaron;nom priestore. V tomto zmysle je happening rekviem za trval&yacute; p&aacute;d človeka. Riaden&yacute; hudobno-video-happening s n&aacute;zvom &bdquo;TICH&Eacute; PIESNE&ldquo; odkazuje na vojnu, no konkr&eacute;tnu vojnu nemus&iacute; tematizovať, cyklick&eacute; pohyby performerov sp&aacute;ja dramaturgia empatie s trpiacimi.
     Telami zobrazen&eacute; gest&aacute; a akty s&uacute; časopriestorov&yacute;mi sochami utrpenia a s&uacute;citu, z&uacute;falstva a bezmocnosti. V tomto nezastavi- teľnom pr&uacute;de sa svaly &uacute;činkuj&uacute;cich naťahuj&uacute; do k&uacute;ta sveta, z ktor&eacute;ho už v&scaron;etky slov&aacute; a n&aacute;deje boli vyhnan&eacute;. Cyklick&eacute; akčn&eacute; sekvencie interpretov nie s&uacute; nacvičen&yacute;mi choreo-grafiami, toto umenie nepreferuje estetiku, je to len ne&uacute;prosn&yacute; sled udalost&iacute;, 
v ktor&yacute;ch dej nie je pr&iacute;behom, len ihriskom pre viditeľn&uacute; a počuteľn&uacute; dr&aacute;mu. Nezač&iacute;na sa a nekonč&iacute; podľa pravidiel tradičn&eacute;ho rozpr&aacute;vania, m&ocirc;že sa bleskovo skončiť.
     &Uacute;činkuj&uacute;ci s&uacute; na mieste poučen&iacute;, aby cviky vykonali a vrhli sa do tohto &bdquo;ne-diania&ldquo; aj napriek zvy&scaron;uj&uacute;cej sa fyzickej &uacute;nave. T&aacute;to spont&aacute;nna singularita, neopakovateľnosť pred kamerou a konkr&eacute;tnosť bolesti svalov zahnanej do cyklickosti je v&yacute;krikom &bdquo;TICH&Yacute;CH PIESN&Iacute;&ldquo;. Nie je to ani volanie o pomoc, je to len človek, ktor&yacute; sa s rozpažen&yacute;mi rukami potichu te&scaron;&iacute; z nemožnosti zastaviť procesy...

]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=rpwqrFHAddw]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=rpwqrFHAddw]]></video:player_loc>
<video:duration>74</video:duration>
<video:view_count><![CDATA[43]]></video:view_count>
<video:publication_date><![CDATA[2024-10-10T17:39:49Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/sk/tichy-vzdor/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/nLfgpSsCUqM/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Pavilion of the Czech Republic at the Venice Art Biennale 2024]]></video:title>
<video:description><![CDATA[The heart of a giraffe in captivity is twelve kilos lighter is the title of the exhibition at the pavilion of the Czech Republic at the Venice Art Biennale 2024. The show has been created by Eva Koť&aacute;tkov&aacute; in collaboration with Himali Singh Soin, David Tappeser, the collective Gesturing Towards Decolonial Futures, children, educators and older people.

Pavilion of the Czech Republic at the Venice Art Biennale 2024. Venice (Italy), April 19, 2024.

Official description: The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia&rsquo;s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, the project builds a space for imagining a different way of relating to nature.
Lenka was captured in Kenya in 1954 and transported to Prague Zoo to become the very first Czechoslovak giraffe. She survived only two years in captivity, after which her body was donated to the National Museum in Prague and exhibited until 2000. Eva Koť&aacute;tkov&aacute;&rsquo;s collaborative project employs a transformative educational practice that re-imagines Lenka&rsquo;s story as a poetic, embodied encounter, and as a place of critical intervention in the relationship between institutions and the natural world. Alongside collaborations with artists and composers Himali Singh Soin and David Soin Tappeser and the collective Gesturing Towards Decolonial Futures, Lenka&rsquo;s story is interpreted by children, educators and older people, with the installation facilitating multiple forms of storytelling. The heart of a giraffe in captivity is twelve kilos lighter stages belonging formed through emotions, touch and ecological relations, instead of fixed notions of identity, borders and nation.

Eva Koť&aacute;tkov&aacute; in collaboration with Himali Singh Soin, David Tappeser, the collective Gesturing Towards Decolonial Futures, children, educators and older people.

#biennalearte2024 #biennale]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=nLfgpSsCUqM]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=nLfgpSsCUqM]]></video:player_loc>
<video:duration>486</video:duration>
<video:view_count><![CDATA[2170]]></video:view_count>
<video:publication_date><![CDATA[2024-05-05T11:32:52Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/en/gentle-resistance/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/nLfgpSsCUqM/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Pavilion of the Czech Republic at the Venice Art Biennale 2024]]></video:title>
<video:description><![CDATA[The heart of a giraffe in captivity is twelve kilos lighter is the title of the exhibition at the pavilion of the Czech Republic at the Venice Art Biennale 2024. The show has been created by Eva Koť&aacute;tkov&aacute; in collaboration with Himali Singh Soin, David Tappeser, the collective Gesturing Towards Decolonial Futures, children, educators and older people.

Pavilion of the Czech Republic at the Venice Art Biennale 2024. Venice (Italy), April 19, 2024.

Official description: The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia&rsquo;s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, the project builds a space for imagining a different way of relating to nature.
Lenka was captured in Kenya in 1954 and transported to Prague Zoo to become the very first Czechoslovak giraffe. She survived only two years in captivity, after which her body was donated to the National Museum in Prague and exhibited until 2000. Eva Koť&aacute;tkov&aacute;&rsquo;s collaborative project employs a transformative educational practice that re-imagines Lenka&rsquo;s story as a poetic, embodied encounter, and as a place of critical intervention in the relationship between institutions and the natural world. Alongside collaborations with artists and composers Himali Singh Soin and David Soin Tappeser and the collective Gesturing Towards Decolonial Futures, Lenka&rsquo;s story is interpreted by children, educators and older people, with the installation facilitating multiple forms of storytelling. The heart of a giraffe in captivity is twelve kilos lighter stages belonging formed through emotions, touch and ecological relations, instead of fixed notions of identity, borders and nation.

Eva Koť&aacute;tkov&aacute; in collaboration with Himali Singh Soin, David Tappeser, the collective Gesturing Towards Decolonial Futures, children, educators and older people.

#biennalearte2024 #biennale]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=nLfgpSsCUqM]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=nLfgpSsCUqM]]></video:player_loc>
<video:duration>486</video:duration>
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<video:publication_date><![CDATA[2024-05-05T11:32:52Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/szelid-ellenallas/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/nLfgpSsCUqM/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Pavilion of the Czech Republic at the Venice Art Biennale 2024]]></video:title>
<video:description><![CDATA[The heart of a giraffe in captivity is twelve kilos lighter is the title of the exhibition at the pavilion of the Czech Republic at the Venice Art Biennale 2024. The show has been created by Eva Koť&aacute;tkov&aacute; in collaboration with Himali Singh Soin, David Tappeser, the collective Gesturing Towards Decolonial Futures, children, educators and older people.

Pavilion of the Czech Republic at the Venice Art Biennale 2024. Venice (Italy), April 19, 2024.

Official description: The heart of a giraffe in captivity is twelve kilos lighter tells the story of Lenka the giraffe, drawing on the history of Czechoslovakia&rsquo;s acquisition of animals from the Global South. Interpreted through contemporary ecological and decolonial perspectives, the project builds a space for imagining a different way of relating to nature.
Lenka was captured in Kenya in 1954 and transported to Prague Zoo to become the very first Czechoslovak giraffe. She survived only two years in captivity, after which her body was donated to the National Museum in Prague and exhibited until 2000. Eva Koť&aacute;tkov&aacute;&rsquo;s collaborative project employs a transformative educational practice that re-imagines Lenka&rsquo;s story as a poetic, embodied encounter, and as a place of critical intervention in the relationship between institutions and the natural world. Alongside collaborations with artists and composers Himali Singh Soin and David Soin Tappeser and the collective Gesturing Towards Decolonial Futures, Lenka&rsquo;s story is interpreted by children, educators and older people, with the installation facilitating multiple forms of storytelling. The heart of a giraffe in captivity is twelve kilos lighter stages belonging formed through emotions, touch and ecological relations, instead of fixed notions of identity, borders and nation.

Eva Koť&aacute;tkov&aacute; in collaboration with Himali Singh Soin, David Tappeser, the collective Gesturing Towards Decolonial Futures, children, educators and older people.

#biennalearte2024 #biennale]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=nLfgpSsCUqM]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=nLfgpSsCUqM]]></video:player_loc>
<video:duration>486</video:duration>
<video:view_count><![CDATA[2006]]></video:view_count>
<video:publication_date><![CDATA[2024-05-05T11:32:52Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/mitologiak-kozt-kukorekolo-permakultura/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/oO_z8Nu9svw/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Horváth Gideon:  Emlék, ami lehetett volna, 2023]]></video:title>
<video:description><![CDATA[Horv&aacute;th Gideon: Eml&eacute;k, ami lehetett volna
2023. szeptember 24.
Elvis Presley Park, Budapest
Flaszter I. 
Budapesti K&ouml;zt&eacute;ri Kort&aacute;rs Műv&eacute;szeti Bienn&aacute;l&eacute;]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=oO_z8Nu9svw]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=oO_z8Nu9svw]]></video:player_loc>
<video:duration>670</video:duration>
<video:view_count><![CDATA[219]]></video:view_count>
<video:publication_date><![CDATA[2023-09-28T11:18:56Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/egymasra-utalt-eletkozossegek/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/e7GoZz-uQ4E/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Slavo Krekovic - Playing Steina Playing the Maiden]]></video:title>
<video:description><![CDATA[Documentation of an interactive human/machine performance. Pitches of the guitar tones control the playback of a video featuring Steina Vasulka, controlling a robotic maiden with her MIDI bow. The original video courtesy of the National Gallery of Iceland in Reykjav&iacute;k. Made at the Vasulka Chamber, Reykjav&iacute;k,  on 14.5.2015. Video recorded by Ladislav Tejml.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=e7GoZz-uQ4E]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=e7GoZz-uQ4E]]></video:player_loc>
<video:duration>66</video:duration>
<video:view_count><![CDATA[295]]></video:view_count>
<video:publication_date><![CDATA[2015-05-14T23:57:03Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/a-rajzolas-olyan-volt-mint-a-lelegzetvetel-a-napi-letezeshez-tartozott/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/4Ar9bGQB3-4/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[IKI utókép]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=4Ar9bGQB3-4]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=4Ar9bGQB3-4]]></video:player_loc>
<video:duration>179</video:duration>
<video:view_count><![CDATA[438]]></video:view_count>
<video:publication_date><![CDATA[2017-09-03T15:02:42Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/BZVO6KLvh2E/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Művészportálok: Keserű Ilona]]></video:title>
<video:description><![CDATA[Keserű Ilona 50 &eacute;ve n&eacute;z ki minden reggel a Gell&eacute;rt-hegyre, ahogy t&ouml;bb festm&eacute;ny&eacute;ben is megfogalmazta a sz&aacute;m&aacute;ra a szabads&aacute;g &eacute;rzet&eacute;t keltő l&aacute;tv&aacute;nyt. A h&aacute;z szecesszi&oacute;s port&aacute;lj&aacute;hoz j&oacute;l ismert, sz&iacute;nes, dinamikus mot&iacute;vumvil&aacute;g&aacute;t t&aacute;rs&iacute;totta.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=BZVO6KLvh2E]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=BZVO6KLvh2E]]></video:player_loc>
<video:duration>261</video:duration>
<video:view_count><![CDATA[646]]></video:view_count>
<video:publication_date><![CDATA[2018-06-07T09:25:08Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/elrejtem-magamat-es-a-dolgaimat/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/krIU9swmgP4/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Kosziba Klaudia: Metamorfózis előtt / Pred premenou | Galéria mesta Bratislavy]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=krIU9swmgP4]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=krIU9swmgP4]]></video:player_loc>
<video:duration>203</video:duration>
<video:view_count><![CDATA[3]]></video:view_count>
<video:publication_date><![CDATA[2024-03-25T12:15:58Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/igaz-mesek-az-okoaktivizmusrol/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/U2dOMbgGZso/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[All We Could Do Together]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=U2dOMbgGZso]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=U2dOMbgGZso]]></video:player_loc>
<video:duration>750</video:duration>
<video:view_count><![CDATA[17]]></video:view_count>
<video:publication_date><![CDATA[2024-01-19T14:29:43Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/jTgmCOvPoAA/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Back, where I belong]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=jTgmCOvPoAA]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=jTgmCOvPoAA]]></video:player_loc>
<video:duration>299</video:duration>
<video:view_count><![CDATA[125]]></video:view_count>
<video:publication_date><![CDATA[2019-10-13T15:29:45Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/D1LfBY2ALdk/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[A Song for the Forest at the End of Summer]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=D1LfBY2ALdk]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=D1LfBY2ALdk]]></video:player_loc>
<video:duration>400</video:duration>
<video:view_count><![CDATA[56]]></video:view_count>
<video:publication_date><![CDATA[2024-01-01T23:55:32Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/BKHDRF3Vi4Q/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Song for the Atlantic Ocean]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=BKHDRF3Vi4Q]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=BKHDRF3Vi4Q]]></video:player_loc>
<video:duration>380</video:duration>
<video:view_count><![CDATA[21]]></video:view_count>
<video:publication_date><![CDATA[2023-06-12T19:52:40Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/-CLYfC_qMnw/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Corn Song]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=-CLYfC_qMnw]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=-CLYfC_qMnw]]></video:player_loc>
<video:duration>395</video:duration>
<video:view_count><![CDATA[23]]></video:view_count>
<video:publication_date><![CDATA[2022-08-19T19:43:12Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/sk/vazne-temy-na-letnom-festivale/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/ZxmYqSVsHLA/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[The Flag of the Blue Planet]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=ZxmYqSVsHLA]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=ZxmYqSVsHLA]]></video:player_loc>
<video:duration>338</video:duration>
<video:view_count><![CDATA[144]]></video:view_count>
<video:publication_date><![CDATA[2019-12-06T08:43:21Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/sk/hmla-pred-nou-hmla-za-nou/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/c-VBDh-GB_w/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Nižný Hrušov v obrazárni múzea Anny Lesznai.]]></video:title>
<video:description><![CDATA[Vy&scaron;e 100 obrazov s t&eacute;mou Nižn&eacute;ho Hru&scaron;ova a jeho ka&scaron;tieľa je v novej obraz&aacute;rni m&uacute;zea Anny Lesznai v priestoroch intravil&aacute;nu aukčnej spoločnosti DARTE. Diela vytvorila Anna Lesznai, Jozef Teodor Mousson, Tibor Gerg&eacute;ly, Jozsef Rippl R&oacute;nai, Eugen Kr&oacute;n, Laszlo Dene&scaron;, Vojtech Seliga, Ivan Chapč&aacute;k, Jozef Tu&scaron;im, Milan Choma, Slavo Durkaj..., a podľa dobov&yacute;ch fotografi&iacute; fotografa Karola Garaya ( syn Anny Lesznai ) vytvoril historick&eacute; t&eacute;my aj ateli&eacute;r Darte - pod veden&iacute;m Anny Havrilovej.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=c-VBDh-GB_w]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=c-VBDh-GB_w]]></video:player_loc>
<video:duration>110</video:duration>
<video:view_count><![CDATA[41]]></video:view_count>
<video:publication_date><![CDATA[2023-09-10T06:44:55Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/kod-elotte-kod-utana/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/c-VBDh-GB_w/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Nižný Hrušov v obrazárni múzea Anny Lesznai.]]></video:title>
<video:description><![CDATA[Vy&scaron;e 100 obrazov s t&eacute;mou Nižn&eacute;ho Hru&scaron;ova a jeho ka&scaron;tieľa je v novej obraz&aacute;rni m&uacute;zea Anny Lesznai v priestoroch intravil&aacute;nu aukčnej spoločnosti DARTE. Diela vytvorila Anna Lesznai, Jozef Teodor Mousson, Tibor Gerg&eacute;ly, Jozsef Rippl R&oacute;nai, Eugen Kr&oacute;n, Laszlo Dene&scaron;, Vojtech Seliga, Ivan Chapč&aacute;k, Jozef Tu&scaron;im, Milan Choma, Slavo Durkaj..., a podľa dobov&yacute;ch fotografi&iacute; fotografa Karola Garaya ( syn Anny Lesznai ) vytvoril historick&eacute; t&eacute;my aj ateli&eacute;r Darte - pod veden&iacute;m Anny Havrilovej.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=c-VBDh-GB_w]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=c-VBDh-GB_w]]></video:player_loc>
<video:duration>110</video:duration>
<video:view_count><![CDATA[39]]></video:view_count>
<video:publication_date><![CDATA[2023-09-10T06:44:55Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/lathatova-tenni-a-lathatatlant/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/n2Xsu1q3cAw/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Cate Le Bon - Home to You (Official Video)]]></video:title>
<video:description><![CDATA[Cate Le Bon - &quot;Home to You&quot; from the album &#039;Reward&#039;. Released by Mexican Summer on 24th May. https://catelebon.lnk.to/rewardYD

The video for &ldquo;Home To You&rdquo; was made in Ko&scaron;ice, Slovakia in collaboration with residents of Lunik IX neighbourhood. It was directed by visual artist and filmmaker Phil Collins, who had previously worked in the city in 2013, and is co-produced with Kino &Uacute;smev.

Kino &Uacute;smev&#039;s new educational initiative is aimed at establishing connections between young people from Lunik IX and other parts of the city through filmmaking workshops, practical production and public presentation of resulting works. 

For more information about Kino &Uacute;smev:
https://tinyurl.com/y3wqejkv

Directed by Phil Collins
Produced by Shady Lane Productions, Berlin
In collaboration with Kino &Uacute;smev, Ko&scaron;ice

Featuring Julka Doležalov&aacute;, Vanessa Makulov&aacute;, T&iacute;mea Makulov&aacute;, Marek Krok, Erik Horv&aacute;th, Milan Horv&aacute;th, David Horv&aacute;th, Darina Berkyov&aacute;

Producer: Sini&scaron;a Mitrović
Line producers: Luk&aacute;&scaron; Berberich, Jakub Andor
Cinematography: Alex Large
Editor: Andreas Dalstr&ouml;m
Colour grade: Stefan Engelkamp
Postproduction: Concept AV, Berlin
Sound mix: Jochen Jezussek

Thanks to: Lunik IX community centre and the residents of Lunik IX, Jozef Horv&aacute;th, Marek Gaži, Dr. Gejza Adam, the Choir and Orchestra of the Music and Drama Conservatory, Alexander Lev Berberich, L. Pasteur University Hospital, Bl&scaron;&aacute;k market, Juliana Sokolov&aacute;, Barbora T&oacute;thov&aacute; and PRS Momentum Fund.

Lyrics:
Home to you
Is a neighborhood in the night kitchen 
Home to you
Is atrocity in the town. 
Home to you
Is an impasse under hallway ceilings, 

Home to you, 

I&rsquo;m a cross hair, 
Stubborn, 
dream loving

And its home, to you

If we meet  
And we drink from borrowed cups 
you read the room to me.  
All the changing of the light is torture, 
Memories
Outdoing
Memories

Last time for all time, 
Last time for all time gone.

#mercuryprize #catelebon #reward]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=n2Xsu1q3cAw]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=n2Xsu1q3cAw]]></video:player_loc>
<video:duration>430</video:duration>
<video:view_count><![CDATA[397237]]></video:view_count>
<video:publication_date><![CDATA[2019-04-16T13:36:25Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/zene-a-szemnek/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/Gsx0ofpuTJ4/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[One minute signal 01]]></video:title>
<video:description><![CDATA[Audiovisual work of art made at Signal Culture, Owego, New York by Zsolt GYENES in 2019 October. (Instruments/technique: Jones Raster Scan, Jones Colorizer/Mixer, Doepfer, After Effects). Pure visual music; what can you hear that can you see.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=Gsx0ofpuTJ4]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=Gsx0ofpuTJ4]]></video:player_loc>
<video:duration>72</video:duration>
<video:view_count><![CDATA[190]]></video:view_count>
<video:publication_date><![CDATA[2019-10-22T20:08:16Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/lGIuxQUn3L0/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Dóra Attila - Gyenes Zsolt @ Hangfarm - 2022 Jun 11.]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=lGIuxQUn3L0]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=lGIuxQUn3L0]]></video:player_loc>
<video:duration>1271</video:duration>
<video:view_count><![CDATA[97]]></video:view_count>
<video:publication_date><![CDATA[2022-07-12T21:56:22Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/en/long-live-exile/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/RrZr-JjU22M/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[curiousity of being magyarkút]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=RrZr-JjU22M]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=RrZr-JjU22M]]></video:player_loc>
<video:duration>563</video:duration>
<video:view_count><![CDATA[10]]></video:view_count>
<video:publication_date><![CDATA[2023-09-09T10:18:40Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/termeszetes-mesterseg-mesterseges-termeszet/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/Q5B7t-b6ys8/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Aradský Richard: Transcription. Kiállítás / Výstava]]></video:title>
<video:description><![CDATA[T&aacute;rlatvezet&eacute;s / komentovan&aacute; prehliadka: Gyenes G&aacute;bor]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=Q5B7t-b6ys8]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=Q5B7t-b6ys8]]></video:player_loc>
<video:duration>826</video:duration>
<video:view_count><![CDATA[41]]></video:view_count>
<video:publication_date><![CDATA[2023-10-08T02:18:23Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/iO23zymWL_U/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[VÁCLAV KINGA: COLOURS OF VAJKA]]></video:title>
<video:description><![CDATA[Egy-egy falu telep&uuml;l&eacute;sk&eacute;pi arculat&aacute;t nagym&eacute;rt&eacute;kben befoly&aacute;solja t&ouml;bbek k&ouml;z&ouml;tt a h&aacute;zak homlokzat&aacute;nak sz&iacute;nvil&aacute;ga. A Colours of Vajka projekt ezt dolgozza fel: &ouml;sszegyűjti &eacute;s katal&oacute;gusba rendezi a helyi h&aacute;zak homlokzat&aacute;nak sz&iacute;neit. Az &iacute;gy &ouml;sszegyűjt&ouml;tt sz&iacute;nek &aacute;tlag&aacute;b&oacute;l pedig meghat&aacute;rozza Vajka k&ouml;zs&eacute;g jellegzetes sz&iacute;n&eacute;t, melynek k&oacute;dja: C:18 M:22 Y:32 K:3, R:202 G:185 B:165.

Celkov&yacute; vizu&aacute;lny obraz danej obce v značnej miere ovplyvňuje farebnosť fas&aacute;d objektov. Projekt Colours of Vajka spracuje farebnosť objektov, nach&aacute;dzaj&uacute;cich sa v obci, vytv&aacute;raj&uacute;c tzv. vzorkovn&iacute;k farieb. N&aacute;sledne sa z t&yacute;chto farieb urč&iacute; priemer, typick&aacute; farba obce Vojka nad Dunajom. Farebn&yacute; k&oacute;d obce: C:18 M:22 Y:32 K: 3, R:202, G: 185, B: 165.

The overall visual image of a given village is largely influenced by the colour of the facades of local buildings. The Colours of Vojka project processes the colouring of the objects located in the village, creating a so-called colour sample book. An average is then determined from these colours, the typical colour of the village of Vojka with the following colour code of the municipality: C:18 M:22 Y:32 K:3, R:202 G:185 B:165.

IN SITU SYMPOSIUM, VOJKA NAD DUNAJOM
&copy; IN SITU, 2021]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=iO23zymWL_U]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=iO23zymWL_U]]></video:player_loc>
<video:duration>123</video:duration>
<video:view_count><![CDATA[124]]></video:view_count>
<video:publication_date><![CDATA[2022-01-21T20:02:56Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/sjtT0CoruIQ/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[ND - At. Home]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=sjtT0CoruIQ]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=sjtT0CoruIQ]]></video:player_loc>
<video:duration>1392</video:duration>
<video:view_count><![CDATA[10]]></video:view_count>
<video:publication_date><![CDATA[2023-11-23T21:20:19Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/az-adatok-esztetikaja/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/LyEIaGAbems/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Refik Anadol: Glacier Dreams Basel]]></video:title>
<video:description><![CDATA[During the Art Basel 2023 week, the work &#039;Glacier Dreams&#039; by artist Refik Anadol was projected onto the facade of Theater Basel. Refik Anadol&#039;s &#039;Glacier Dreams&#039; is a commissioned work inspired by the beauty and fragility of the world&#039;s glaciers. It emerged from a long-term research project at the intersection of multisensory new media art, machine learning and environmental studies. For &#039;Glacier Dreams&#039; Refik Anadol processed visual material from online and institutional archives. This dataset, as well as additional personally collected glacier visualizations from Iceland, were processed using machine learning algorithms. 

Refik Anadol was born in Istanbul, Turkey, in 1985. He earned a Master of Fine Arts Degree from Bilgi University in his home city and then moved to California. At his studio in Los Angeles, Anadol researches and develops approaches to data narratives. He also teaches at UCLA&rsquo;s Department of Design Media Arts.

Refik Anadol: Glacier Dreams Basel. Basel (Switzerland), June 17, 2023.

#refikanadol #contemporaryart #artbasel 

More videos on contemporary art, design, architecture:
http://vernissage.tv

Connect:
https://www.instagram.com/vernissagetv/
http://www.facebook.com/vernissagetv
http://twitter.com/vernissagetv

Browse our Archive:
http://vernissage.tv/archive/posts/

Find Artists, Designers, Architects:
http://vernissage.tv/archive/artists/

Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series &quot;No Comment&quot; and &quot;Interviews&quot;, art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. Das Fenster zur Kunstwelt. La fen&ecirc;tre sur le monde de l&#039;art. A janela para o mundo da arte. La ventana al mundo del arte. نافذة على عالم الفن. �]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=LyEIaGAbems]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=LyEIaGAbems]]></video:player_loc>
<video:duration>173</video:duration>
<video:view_count><![CDATA[1179]]></video:view_count>
<video:publication_date><![CDATA[2023-06-20T13:01:18Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/utat-tornek-maguknak/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/KdmpnhrT55U/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Hülye járások Budapest belvárosában]]></video:title>
<video:description><![CDATA[&Aacute;prilis elsej&eacute;n a brit Monty Python h&iacute;res jelenete &aacute;ltal ihletett menet vonult Budapest belv&aacute;ros&aacute;ban. &hellip;]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=KdmpnhrT55U]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=KdmpnhrT55U]]></video:player_loc>
<video:duration>50</video:duration>
<video:view_count><![CDATA[7392]]></video:view_count>
<video:publication_date><![CDATA[2019-04-02T17:51:36Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/eljen-a-szamuzetes/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/RrZr-JjU22M/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[curiousity of being magyarkút]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=RrZr-JjU22M]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=RrZr-JjU22M]]></video:player_loc>
<video:duration>563</video:duration>
<video:view_count><![CDATA[5]]></video:view_count>
<video:publication_date><![CDATA[2023-09-09T10:18:40Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/sulyos-kerdesek-egy-nyari-fesztivalon/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/ZxmYqSVsHLA/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[The Flag of the Blue Planet]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=ZxmYqSVsHLA]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=ZxmYqSVsHLA]]></video:player_loc>
<video:duration>338</video:duration>
<video:view_count><![CDATA[136]]></video:view_count>
<video:publication_date><![CDATA[2019-12-06T08:43:21Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/a-kiallitas-mint-medium/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/kuBGHxOLRvA/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Tapati Guha Thakurta]]></video:title>
<video:description><![CDATA[The keynote lecture by professor Tapati Guha Thakurta at the conference &quot;Unfinished Empire? Visual Arts and Architecture in Post-Imperial Contexts, 1900&ndash;2022&quot;, that took place in Prague, 19 May 2023.
 
KEYNOTE
In the Shadow of Empire: The Changing Sculptural Iconography of Colonial and Postcolonial Calcutta
Prof. Tapati Guha Thakurta (Centre for Studies in Social Sciences, Kolkata)

This lecture will take up the theme - &#039;In the Shadow of Empire&#039; - through the persistence and proliferation of the genre of civic public statuary in India and its shifting cast of characters. It will focus on a city that was the seat of the British empire in India until 1911 (when the capital shifted to New Delhi) and witnessed the installation of the largest repertoire of imperial sculpture over the 19th and early 20th century, much of which curiously remained in place in the city for two decades after India&rsquo;s independence in 1947. This paradox will remain a central theme, as I explore various moments in the many travels, dislocations and relocations of Calcutta&rsquo;s imperial statues while charting a small parallel history of Indian statue-making over these transitional decades of the last years of British rule and the coming of Independence. 

The conference is an output of the ERC project funded by the European comission, CRAACE (Nr. 786314).]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=kuBGHxOLRvA]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=kuBGHxOLRvA]]></video:player_loc>
<video:duration>3929</video:duration>
<video:view_count><![CDATA[22]]></video:view_count>
<video:publication_date><![CDATA[2023-06-05T12:13:21Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/heterogen-utopiak-a-nejlonfuggony-mogott/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/PED1V6RaLoE/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Retrotopia| Kunstgewebemuseum | Ausstellung]]></video:title>
<video:description><![CDATA[&bdquo;Retrotopia. Design for Socialist Spaces&ldquo; im Kulturforum und Kunstgewerbemuseum, zu sehen vom 25.03.2023 bis 16.07.2023, ist ein kooperatives Ausstellungsprojekt, das sich mit der Rolle und dem Einfluss von Design in den L&auml;ndern des ehemaligen Ostblocks und Ex-Jugoslawiens von den 1950er - bis in die 1980er Jahren besch&auml;ftigt. 

Mehr Infos unter: https://www.smb.museum/ausstellungen/detail/retrotopia/

Video: cyan]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=PED1V6RaLoE]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=PED1V6RaLoE]]></video:player_loc>
<video:duration>46</video:duration>
<video:view_count><![CDATA[647]]></video:view_count>
<video:publication_date><![CDATA[2023-03-31T11:47:57Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/en/magazine/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/mkNdfrFXCvQ/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[MŰTEREM ▪ Füzik Szilvia]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=mkNdfrFXCvQ]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=mkNdfrFXCvQ]]></video:player_loc>
<video:duration>431</video:duration>
<video:view_count><![CDATA[283]]></video:view_count>
<video:publication_date><![CDATA[2022-12-05T02:09:52Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/A4epGrq3amY/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Kifakuló föld / Blednúca zem / The Fading Earth]]></video:title>
<video:description><![CDATA[Csilla Nagy &amp; Erika Szőke

Kifakul&oacute; f&ouml;ld / Bledn&uacute;ca zem / The Fading Earth
At Home Gallery
9.10.-20.11.2022]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=A4epGrq3amY]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=A4epGrq3amY]]></video:player_loc>
<video:duration>117</video:duration>
<video:view_count><![CDATA[35]]></video:view_count>
<video:publication_date><![CDATA[2022-12-04T16:08:13Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/j_y2BY-Oqeg/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Aranykert művésztelep kiállítása - 2022]]></video:title>
<video:description><![CDATA[11. alkalommal ker&uuml;lt megrendez&eacute;sre  a tiszan&aacute;nai  Aranykert nemzetk&ouml;zi műv&eacute;sztelep ki&aacute;ll&iacute;t&aacute;sa a dunaszerdahelyi Kort&aacute;rs Magyar Gal&eacute;ri&aacute;ban.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=j_y2BY-Oqeg]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=j_y2BY-Oqeg]]></video:player_loc>
<video:duration>130</video:duration>
<video:view_count><![CDATA[26]]></video:view_count>
<video:publication_date><![CDATA[2022-12-04T14:46:29Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/O5IE8hJrVMg/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Üzenet / Message]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=O5IE8hJrVMg]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=O5IE8hJrVMg]]></video:player_loc>
<video:duration>133</video:duration>
<video:view_count><![CDATA[22]]></video:view_count>
<video:publication_date><![CDATA[2022-12-06T00:41:16Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/Q4ZXQpZGpeo/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[MŰTEREM ▪ Szabó Ottó]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=Q4ZXQpZGpeo]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=Q4ZXQpZGpeo]]></video:player_loc>
<video:duration>480</video:duration>
<video:view_count><![CDATA[33]]></video:view_count>
<video:publication_date><![CDATA[2022-12-05T02:14:25Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/qZVkVAuNeW0/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[MŰTEREM ▪ Éliás Ádám]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=qZVkVAuNeW0]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=qZVkVAuNeW0]]></video:player_loc>
<video:duration>291</video:duration>
<video:view_count><![CDATA[25]]></video:view_count>
<video:publication_date><![CDATA[2022-12-04T23:30:54Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/zWpMRcrAak8/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[FINISSAGE  - Koszorús Rita - Mnemosyne nyomában]]></video:title>
<video:description><![CDATA[Helysz&iacute;n: Ateli&eacute;r XIII. Contemporary Art Gallery
Ki&aacute;ll&iacute;t&aacute;s c&iacute;me: Koszor&uacute;s Rita - Mnemosyne nyom&aacute;ban
Kur&aacute;tor: Juliana Mrvov&aacute;
Ki&aacute;ll&iacute;t&aacute;s időpontja: 2021.11.12 - 2022.01.14

link: https://www.atelierxiii.com/rita-koszorus-%e2%98%85-hladanie-mnemosyne/]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=zWpMRcrAak8]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=zWpMRcrAak8]]></video:player_loc>
<video:duration>1252</video:duration>
<video:view_count><![CDATA[153]]></video:view_count>
<video:publication_date><![CDATA[2022-01-22T17:35:48Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/c-l1HodGKDs/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[FINISSAGE - Gwerk Ödön - Párhuzamok és paradoxonok]]></video:title>
<video:description><![CDATA[Helysz&iacute;n: Beszterceb&aacute;nya, K&ouml;z&eacute;pszlov&aacute;kiai Gal&eacute;ria
Ki&aacute;ll&iacute;t&aacute;s c&iacute;me: Gwerk &Ouml;d&ouml;n - P&aacute;rhuzamok &eacute;s paradoxonok
Kur&aacute;tor: Kiss-Szem&aacute;n Zs&oacute;fia
Ki&aacute;ll&iacute;t&aacute;s időpontja: 2021.07.02 - 2021.10.03

link: https://www.ssgbb.sk/en/vystava/paralely-a-paradoxy/]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=c-l1HodGKDs]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=c-l1HodGKDs]]></video:player_loc>
<video:duration>1490</video:duration>
<video:view_count><![CDATA[144]]></video:view_count>
<video:publication_date><![CDATA[2022-01-20T19:56:07Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/sk/magazin-sk/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/mkNdfrFXCvQ/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[MŰTEREM ▪ Füzik Szilvia]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=mkNdfrFXCvQ]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=mkNdfrFXCvQ]]></video:player_loc>
<video:duration>431</video:duration>
<video:view_count><![CDATA[283]]></video:view_count>
<video:publication_date><![CDATA[2022-12-05T02:09:52Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/A4epGrq3amY/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Kifakuló föld / Blednúca zem / The Fading Earth]]></video:title>
<video:description><![CDATA[Csilla Nagy &amp; Erika Szőke

Kifakul&oacute; f&ouml;ld / Bledn&uacute;ca zem / The Fading Earth
At Home Gallery
9.10.-20.11.2022]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=A4epGrq3amY]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=A4epGrq3amY]]></video:player_loc>
<video:duration>117</video:duration>
<video:view_count><![CDATA[35]]></video:view_count>
<video:publication_date><![CDATA[2022-12-04T16:08:13Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/NdIJbugOMgw/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Dunartcom 2022 - CSEND / SILENCE / TICHO (SK)]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=NdIJbugOMgw]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=NdIJbugOMgw]]></video:player_loc>
<video:duration>499</video:duration>
<video:view_count><![CDATA[46]]></video:view_count>
<video:publication_date><![CDATA[2023-03-03T20:33:42Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/j_y2BY-Oqeg/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Aranykert művésztelep kiállítása - 2022]]></video:title>
<video:description><![CDATA[11. alkalommal ker&uuml;lt megrendez&eacute;sre  a tiszan&aacute;nai  Aranykert nemzetk&ouml;zi műv&eacute;sztelep ki&aacute;ll&iacute;t&aacute;sa a dunaszerdahelyi Kort&aacute;rs Magyar Gal&eacute;ri&aacute;ban.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=j_y2BY-Oqeg]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=j_y2BY-Oqeg]]></video:player_loc>
<video:duration>130</video:duration>
<video:view_count><![CDATA[26]]></video:view_count>
<video:publication_date><![CDATA[2022-12-04T14:46:29Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/sk/udrzatelne-ritualy/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/A4epGrq3amY/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Kifakuló föld / Blednúca zem / The Fading Earth]]></video:title>
<video:description><![CDATA[Csilla Nagy &amp; Erika Szőke

Kifakul&oacute; f&ouml;ld / Bledn&uacute;ca zem / The Fading Earth
At Home Gallery
9.10.-20.11.2022]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=A4epGrq3amY]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=A4epGrq3amY]]></video:player_loc>
<video:duration>117</video:duration>
<video:view_count><![CDATA[34]]></video:view_count>
<video:publication_date><![CDATA[2022-12-04T16:08:13Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/LxJhR0nqJKA/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Csilla Nagy & Erika Szőke: THE  FADING EARTH]]></video:title>
<video:description><![CDATA[At Home Gallery, Synagogue, &Scaron;amor&iacute;n, 2022]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=LxJhR0nqJKA]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=LxJhR0nqJKA]]></video:player_loc>
<video:duration>326</video:duration>
<video:view_count><![CDATA[84]]></video:view_count>
<video:publication_date><![CDATA[2022-11-19T07:50:01Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/en/everyone-is-an-ocean/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/1W8B0GWzFVg/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Gustave Tiger - Senki se tenger]]></video:title>
<video:description><![CDATA[Rendezte, v&aacute;gta: Moln&aacute;r Alexandra Rusek
k&ouml;szi: Kasia, szomsz&eacute;dok

https://www.facebook.com/gustavetiger/?fref=ts]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=1W8B0GWzFVg]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=1W8B0GWzFVg]]></video:player_loc>
<video:duration>164</video:duration>
<video:view_count><![CDATA[101805]]></video:view_count>
<video:publication_date><![CDATA[2016-04-13T13:22:09Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/aze-a-tortenet-aki-megirja/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/b4W5XtOfzkg/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Kassák trailer - A magunk módjára üvölteni - Zavýjať po svojom]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=b4W5XtOfzkg]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=b4W5XtOfzkg]]></video:player_loc>
<video:duration>88</video:duration>
<video:view_count><![CDATA[840]]></video:view_count>
<video:publication_date><![CDATA[2022-09-19T08:59:58Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/2ZKTVmsRQHg/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Kassák-konferencia az Irodalmi Magazinnal]]></video:title>
<video:description><![CDATA[A magyar avantg&aacute;rd meghat&aacute;roz&oacute; alkot&oacute;j&aacute;nak eml&eacute;k&eacute;re szervezett konferenci&aacute;nk c&eacute;lja, hogy bemutassa Kass&aacute;k Lajos sz&eacute;pirodalmi, irodalomszervezői &eacute;s k&eacute;pzőműv&eacute;szeti munk&aacute;ss&aacute;g&aacute;t, &eacute;s műveinek &eacute;rtelmez&eacute;s&eacute;t &uacute;jabb szempontokkal gazdag&iacute;tsa. Az &ouml;nk&eacute;pző, polihisztor műv&eacute;sz t&ouml;bbdimenzi&oacute;s alkot&oacute;tev&eacute;kenys&eacute;g&eacute;t foly&oacute;iratunk tudom&aacute;nyos-ismeretterjesztő megk&ouml;zel&iacute;t&eacute;ssel dolgozza fel, hogy ez&aacute;ltal egyszerre ismertethess&uuml;k meg Kass&aacute;kot a sz&eacute;lesebb irodalom- &eacute;s műv&eacute;szetkedvelő nyilv&aacute;noss&aacute;ggal, &eacute;s ny&uacute;jthassunk a szakmai recepci&oacute; sz&aacute;m&aacute;ra is friss impulzusokat. A kerekasztal-besz&eacute;lget&eacute;sben az alkot&oacute; magyar avantg&aacute;rdbeli szerep&eacute;ről, a k&aacute;nonban bet&ouml;lt&ouml;tt hely&eacute;ről lesz sz&oacute;, majd az első szekci&oacute; előad&aacute;sai tov&aacute;bb &aacute;rnyalj&aacute;k az &iacute;r&oacute;i &eacute;let&uacute;tr&oacute;l alkotott k&eacute;pet, r&aacute;vil&aacute;g&iacute;tva arra a jellembeli szil&aacute;rds&aacute;gra is, amellyel eszm&eacute;i&eacute;rt k&uuml;zd&ouml;tt &ndash; ak&aacute;r b&ouml;rt&ouml;nt, elhallgattat&aacute;st vagy &eacute;ppen p&aacute;rtb&oacute;l val&oacute; kiz&aacute;r&aacute;st is v&aacute;llalva egy politikailag &eacute;s t&ouml;rt&eacute;nelmileg terhelt időszakban. Sz&oacute; esik majd foly&oacute;iratair&oacute;l, műv&eacute;szeti programjair&oacute;l, a Nyugathoz, illetve Babits Mih&aacute;lyhoz fűződő viszony&aacute;r&oacute;l, tov&aacute;bb&aacute; az Eur&oacute;pai Iskola műv&eacute;szcsoportr&oacute;l. A műelemző szekci&oacute;ban a szerzők &ndash; a J&oacute;zsef Attila-hat&aacute;sokat is sz&aacute;mba v&eacute;ve &ndash; &eacute;rtelmezik Kass&aacute;k n&eacute;h&aacute;ny vers&eacute;t, &ouml;n&eacute;letrajzi műv&eacute;t, illetve reg&eacute;nyeit. A harmadik szekci&oacute; Kass&aacute;k fest&eacute;szet&eacute;vel, recepci&oacute;j&aacute;val &eacute;s a kort&aacute;rs k&ouml;lt&eacute;szetre, a neoavantg&aacute;rdra gyakorolt hat&aacute;s&aacute;val foglalkozik, illetve arr&oacute;l ejt sz&oacute;t, mik&eacute;nt jelenik meg a szerző a k&ouml;zoktat&aacute;sban. A tan&aacute;cskoz&aacute;son elhangzott előad&aacute;sok nyom&aacute;n sz&uuml;letett &iacute;r&aacute;sok a foly&oacute;irat idei m&aacute;sodik lapsz&aacute;m&aacute;ban lesznek olvashat&oacute;k. A Kass&aacute;k-sz&aacute;mban interj&uacute;k, essz&eacute;k &eacute;s kort&aacute;rs &iacute;r&oacute;k Kass&aacute;k-inspir&aacute;ci&oacute;i l&aacute;tnak majd napvil&aacute;got, izgalmas vizu&aacute;lis anyag k&iacute;s&eacute;ret&eacute;ben.]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=2ZKTVmsRQHg]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=2ZKTVmsRQHg]]></video:player_loc>
<video:duration>25779</video:duration>
<video:view_count><![CDATA[442]]></video:view_count>
<video:publication_date><![CDATA[2023-02-24T16:51:40Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/mindenkor-minden-kor/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/UhwHzGEYvMs/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[“Kozmikus a szar” | életútinterjú Tarr Bélával [interview with ENG subs with Béla Tarr]]]></video:title>
<video:description><![CDATA[Tarr B&eacute;la m&eacute;g azoknak is megvan (legal&aacute;bb hallom&aacute;sb&oacute;l), akik irt&oacute;znak az &uacute;gynevezett műv&eacute;szfilmektől. &ldquo;Ja igen, a S&aacute;t&aacute;ntang&oacute;, amiben 20 percig n&eacute;zhetj&uuml;k a tehenek segg&eacute;t - v&aacute;gatlanul&rdquo;.

Na de hogyan lett a maoista tin&eacute;dzserből a t&uuml;relemj&aacute;t&eacute;kfilm nemzetk&ouml;zileg felkent fejedelme?
Mi&eacute;rt tartotta &ldquo;nagyk&eacute;pű faszkalapnak&rdquo; Godard-t, miut&aacute;n tal&aacute;lkoztak?
&Eacute;s milyen volt k&ouml;z&ouml;sen rep&uuml;lnie Orb&aacute;nnal &eacute;s Sz&iacute;jj&aacute;rt&oacute;val?
&Iacute;me, az egyetlen magyar nyelvű vide&oacute;s &eacute;let&uacute;tinterj&uacute; a kultikus Tarr B&eacute;l&aacute;val.

Ford&iacute;totta:  S&aacute;fr&aacute;ny Anna Viola

2023-ban SZJA1%-od aj&aacute;nld fel a Partiz&aacute;n sz&aacute;m&aacute;ra!
https://szja1.partizanmedia.hu/

T&aacute;mogasd te is a Partiz&aacute;n munk&aacute;j&aacute;t!
https://csapat.partizanmedia.hu/fundraising/partizan/

Iratkozz fel a Partiz&aacute;n h&iacute;rlevel&eacute;re:
https://csapat.partizanmedia.hu/forms/partizan-feliratkozas

Hol tal&aacute;lsz meg minket?
Facebookon: https://facebook.com/partizanpolitika/
Facebook-csoportunkban: https://www.facebook.com/groups/partizantarsalgo 
Instagramon: https://www.instagram.com/partizanpolitika/
Spotify-on: https://open.spotify.com/show/18YmaCQyMXaWVPu24eOSni 
Apple Podcast-en: https://podcasts.apple.com/us/podcast/partiz%C3%A1n/id1496147005 
Hogyan t&aacute;mogathatod a munk&aacute;nkat?

M&aacute;jus 22-ig rendelkezz SZJA 1%-odr&oacute;l a Partiz&aacute;n alap&iacute;tv&aacute;ny sz&aacute;m&aacute;ra:
N&eacute;v: Partiz&aacute;n Rendszerkritikus Tartalomelő&aacute;ll&iacute;t&aacute;s&eacute;rt Alap&iacute;tv&aacute;ny
Ad&oacute;sz&aacute;m: 19286031-2-42
Legy&eacute;l a patron&aacute;l&oacute;nk, hogy hozz&aacute;f&eacute;rj a v&aacute;gatlan ad&aacute;sokhoz &eacute;s extra tartalmainkhoz: https://www.patreon.com/partizanpolitika
PayPal-on kereszt&uuml;l is v&aacute;rjuk az adom&aacute;nyodat, e-mail c&iacute;m&uuml;nk: partizanalapitvany@gmail.com
Egyszeri vagy rendszeres banki &aacute;tutal&aacute;ssal is seg&iacute;thetsz! Ehhez a legfontosabb adatok:
N&eacute;v:
Partiz&aacute;n Alap&iacute;tv&aacute;ny
Sz&aacute;mlasz&aacute;m:
16200106-11669030-00000000
K&ouml;zlem&eacute;ny:
T&aacute;mogat&aacute;s
Ha k&uuml;lf&ouml;ldről utaln&aacute;l, nemzetk&ouml;zi sz&aacute;mlasz&aacute;munk (IBAN - International Bank Account Number): 
HU68 1620 0106 1166 9030 0000 0000
BIC/SWIFT-k&oacute;d: 
HBWEHUHB]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=UhwHzGEYvMs]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=UhwHzGEYvMs]]></video:player_loc>
<video:duration>6821</video:duration>
<video:view_count><![CDATA[133850]]></video:view_count>
<video:publication_date><![CDATA[2023-03-24T17:00:18Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
</url>
<url>
<loc>https://www.kontur-art.com/hu/fejest-ugrani-a-bizonytalanba/</loc>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/PoYJNB7EG4U/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Beszélgetés A magunk módjára üvölteni c. filmről – Rozhovor o filme Zavýjať po svojom]]></video:title>
<video:description><![CDATA[Kerekasztal besz&eacute;lget&eacute;s &ndash; Panelov&aacute; diskusia
D&eacute;r Asia, Jakubecz L&aacute;szl&oacute;, Cz&iacute;mer G&aacute;bor, Sasv&aacute;ri Edit
Moder&aacute;tor: Juh&aacute;sz Rokko]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=PoYJNB7EG4U]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=PoYJNB7EG4U]]></video:player_loc>
<video:duration>1816</video:duration>
<video:view_count><![CDATA[166]]></video:view_count>
<video:publication_date><![CDATA[2022-10-07T21:32:12Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
</video:video>
<video:video>
<video:thumbnail_loc>https://i.ytimg.com/vi/b4W5XtOfzkg/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Kassák trailer - A magunk módjára üvölteni - Zavýjať po svojom]]></video:title>
<video:description><![CDATA[]]></video:description>
<video:content_loc><![CDATA[https://www.youtube.com/watch?v=b4W5XtOfzkg]]></video:content_loc>
<video:player_loc><![CDATA[https://www.youtube.com/watch?v=b4W5XtOfzkg]]></video:player_loc>
<video:duration>88</video:duration>
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<video:publication_date><![CDATA[2022-09-19T08:59:58Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<url>
<loc>https://www.kontur-art.com/hu/sarral-festett-valosag-klasszikusok-diakepekrol-es-vajda-lajos-inspiraciok/</loc>
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<video:title><![CDATA[Vajda Lajos - Világok között a Ferenczy Múzeumban]]></video:title>
<video:description><![CDATA[Vajda Lajos - Vil&aacute;gok k&ouml;z&ouml;tt
2018.11.11. - 2019.3.31.
Ferenczy M&uacute;zeum, Szentendre


&quot;A ki&aacute;ll&iacute;t&aacute;son is l&aacute;that&oacute; videoinstall&aacute;ci&oacute; r&eacute;szlete jelenik meg a vide&oacute;ban. Az anim&aacute;ci&oacute;n megrajzol&oacute;dnak, majd a semmibe tűnnek Vajda Lajos rajzai: keverednek, &ouml;sszefon&oacute;dnak a szentendrei templomtornyok &eacute;s a szem&eacute;lyes elemek; a hang a rajzol&aacute;s z&ouml;rejeiből &eacute;s a v&aacute;rosban r&ouml;gz&iacute;tett hangmint&aacute;kb&oacute;l mixelődik (a vide&oacute; Horv&aacute;th D&aacute;niel, Gerhes G&aacute;bor &eacute;s Palot&aacute;s Kincső munk&aacute;ja).&quot;
24.hu


Ferenczy M&uacute;zeumi Centrum
www.muzeumicentrum.hu]]></video:description>
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<video:publication_date><![CDATA[2018-11-14T15:48:48Z]]></video:publication_date>
<video:family_friendly>yes</video:family_friendly>
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<url>
<loc>https://www.kontur-art.com/sk/kazdy-je-ocean/</loc>
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<video:title><![CDATA[Gustave Tiger - Senki se tenger]]></video:title>
<video:description><![CDATA[Rendezte, v&aacute;gta: Moln&aacute;r Alexandra Rusek
k&ouml;szi: Kasia, szomsz&eacute;dok

https://www.facebook.com/gustavetiger/?fref=ts]]></video:description>
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<video:thumbnail_loc>https://i.ytimg.com/vi/1W8B0GWzFVg/hqdefault.jpg</video:thumbnail_loc>
<video:title><![CDATA[Gustave Tiger - Senki se tenger]]></video:title>
<video:description><![CDATA[Rendezte, v&aacute;gta: Moln&aacute;r Alexandra Rusek
k&ouml;szi: Kasia, szomsz&eacute;dok

https://www.facebook.com/gustavetiger/?fref=ts]]></video:description>
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